Section 1:

This section just includes a lot of note on various works in the great
body of Arthurian Legend.  Many scenes are sketched out, next to
similar scenes from other works, and names are underlined, especially
those related to Lancelot, Arthur, and Guinevere, though also some of
Modred, and Percival, etc

Names that have epithets are especially noted, like Percival the Pure,
Lancelot of the Lake, and the Green Knight, with special emphasis on
those with color related epithets.

A careful analysis of the scenes indicates that they are chosen for
interaction between characters and especially meetings of characters,
with additional emphasis on interactions between characters of
opposite genders.

Section 2: 

This section includes many partially written scenes that seem to be
postulating interactions between characters of different takes on the
legends.  The Lancelot of one might be saying something to the Artur
of another, and Artur doesn't respond, because he doesn't have
anything to say in that other genre.  It seems like it was very
frustrating to write, in that it's filled with unfinished paragraphs,
and ellipses all over the place.  Nothing is actually finished in this
section.  It's more a collection of false starts on a dialogue between
major characters that never gets anywhere.

Section 3:

This section includes numerous geneological charts hand sketched from
various works.  Filled with who slept with who, and who was who's
illegitimate heir, the charts first just document what happened in
each versiou of the legend and then start pairing things down later in
the section.  Later charts seem to be an attempt to rectify all of the
information in the previous charts, but very little seems to work
well.  After many attempts the efforts are abandoned.

Section 4:

This section seems to concentrate solely on the love plots in a
graphical sense.  Every relationship in the various legend are
sketched out with various lines and doodles.  Heavy emphasis appears
in the consistent Arthur-Lancelot-Guinevere triangle, though this has
all sort of hairy attachments to Morgain, Elaine, Percival, and others
depending upon the work.

Section 5: (unfinished)

This section deals with the apparent necessity of interconnected love
plots, and the fact that the characters all seem to draw strength from
their various connection.  Unfortunately, it appears that an
inevitable result of such things are the betrayal of one portion of a
triangle by the other two portions.

Much effort is put into finding a situation that results in the usual
Arthur-Lancelot-Guinevere triangle without a betrayal of the Arthur
figure.  All scenarios that end with the Arthur figure being betrayed
are labeled "Failure".  All scenarios that end with the Guinevere
figure being betrayed are labeled with "Failure".  All scenarios that
end solely with the Lancelot figure being betrayed are labeled
"Possible".

A final note in this section appears after several failed attempts in
a row.  It's a single line by itself, and underlined and appears to be
the last thing in the notebook.

"Triangle need not include Knight, King, and Lady.  Knight, Queen, and
Lady should be possible Leaves King Secure."