21L.011 The Film Experience, Fall 2011
Syllabus
(PDF available)

NOTE:  Some of these files are restricted to registered members of the class.  An MIT Certificate is required to access some of these files.  

Tue Thu Required Film: Required Reading:
       
Sept I. THE SILENT ERA
8 Porter, The Great Train Robbery
Griffith, A Beast at Bay
Cook, A History of Narrative Film, (4th ed) Pp 1-41, 51-85
Gunning, "An Aesthetic of Astonishment"
13 15

Griffith, Lonely Villa, Musketeers of Pig Alley
Keaton, Cops , The General

Cook, 177-182
Mast, from A Short History of the Movies
20 22 Chaplin, The Immigrant , Easy Street , Modern Times Agee, "Comedy's Greatest Era"
  22 CLOSE READING EXERCISE DUE  
27 29 Murnau, Nosferatu, The Last Laugh Cook, ch. 4-5
Oct   II. HOLLYWOOD GENRES
4 6 Capra, It Happened One Night
Hitchcock, Shadow of a Doubt, Rear Window
Hawks, His Girl Friday
[Second screening on Thurs., Oct. 6 at 7 pm in 3-270.]

Cook, ch. 7-8
  6 FIRST PAPER DUE
-- 13 Capra, Hawks and Hitchcock continued
18 20 Donen/Kelly, Singin' in the Rain
Braudy, "Genre: The Conventions of Connection"
  20 MIDTERM EXAM
25 27 Fosse, Cabaret Cook, ch. 12
Nov      
1 3 Ford, The Searchers
Cook, 845-868
Stone, "The Search Party"
  3 SECOND PAPER DUE  
8 10

Altman, McCabe and Mrs. Miller

Lethem, "The Greatest Death Scene"
    III. INTERNATIONAL MASTERS  
15 17 Renoir, Grand Illusion Cook, 303-326
22 -- DeSica, Bicycle Thieves Cook, 355-368
Zavattini, "Some Ideas on the Cinema"
29 -- Truffaut, The 400 Blows Cook, 431-458
Dec      
  1 THIRD PAPER DUE  
6 8 Kurosawa, Rashomon
Cook, 735-745
13   Summary Perspectives: Film as Art and Artifact
top