Syllabus
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Unit Overview        
                       

Paper #2 Due March 18- How does the dance "Fall River Legend" (DeMille, 1950) convey concepts of Cultural Mores and Cultural Identity? Complete Assignment.

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      Special Performance Event March 20: Regina Rocke and Dawn Springer at Kresge Little Theater, 8pm
       
 Dance as an Expression of cultural mores- 3 sessions
How does concert dance confirm gender expectations? A focus on gender-specific behavior and dance in the Middle East, with an examination of Ted Shawn's all-male dance ensemble as well as a look at British choreographer Lloyd Newsom's DV8 physical theater.
                       
       

 

Unit Assignments      
                       
read: "Social Dance" in Dancing pp 108-127
   
             
read: "The Dance of the Century," "Dancing for Men," The Twist: Brave New World" in America Dancing pp 123-126, 127-129, 200-203
         
             
read:DeFrantz, Thomas "Simmering Passivity: The Black Male Body in Concert Dance" by in Moving Ideologies, Gay Morris, ed., Routledge, 1996, 106-121.
         
             
read: Ward, Andrew H. "Dancing in the Dark: Rationalism and the Neglect of Social Dance" in Dance, Gender and Culture, Helen Thomas, ed., New York: St. Martin's Press, 1993, 16-33
         
             
  view: Dancing "Social Dance" Part 1  
             
  view: Dancing "Social Dance" Part 2  
             
  view: Dancing "Social Dance" Part 3  
             
  view: Ted Shawn "Kinetic Molpai"