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      Historic Restoration of Harawi ResidenceCairo, Egypt
 
 Anna Bardos INTRODUCTION The Harawi residence is a private
      house situated in the heart of one of Cairo's most architecturally
      rich quarters, near to the Al-Azhar Mosque. The building as a
      whole was built in 1731, but it also contains a large reception
      room dating from the 16th century, and a later addition of a
      secondary entrance from the 19th century. It was restored between
      1986 and 1993 by the Mission for Safeguarding Islamic Cairo and
      the architect Bernard Maury. CONTEXT HistoricalThe Harawi residence
      is known by the name of one of its last owners, Muhammad Harawi,
      who occupied it in the first half of the 19th century. The building
      was significantly modified at that time, but luckily the most
      important rooms survived this period of modernization. The building
      was acquired by the Egyptian Committee for Conservation of Monuments
      of Arab Art at the beginning of the 20th century.
 In 1970 a research mission was
      set up called the Mission of Scientific Study of the Palaces
      and Houses of Cairo of the 14th to 18th Century. This was an
      initiative of the Centre Nationale de la Recherche Scientifique
      (CRNS) and the French Foreign Affairs Ministry, in collaboration
      with the Egyptian Antiquities Organisation. In the early 1980s
      Dr. Ahmed Qadi was the head of the Egyptian Antiquities Organisation.
      He instituted a new policy of restoration and safeguarding of
      important buildings, which led to many projects. In 1984, at the request of the
      Egyptian Antiquities Organisation, France created the Mission
      for Safeguarding Islamic Cairo with the objective of restoring
      a monument. France was to provide two experts, and Egypt was
      to provide the labor and materials. Architect Bernard Maury was
      chosen to direct the project. The Harawi residence was chosen
      in 1985 out of six buildings in Cairo under consideration for
      restoration. Criteria justifying the choice included the significant
      architectural, archeological and historical value of the building,
      its relatively unaltered state, and its privileged position in
      the heart of the urban fabric. Due to the knowledge acquired
      of the domestic architecture of Cairo during more than 15 years
      of research, the Mission of Scientific Study of the Palaces and
      Houses of Cairo was able to propose a method for the restoration
      and to commence work quickly.   THE PROJECT Spaces and UsesThe mostly three-story
      house consists of a number of rooms built around a main courtyard.
      (Image 1) The original entrance to the building is from the south,
      through a passage off the alley Zuqaq Al-Qasr (1). As in all
      houses of this era, the access to the court is crooked to preserve
      intimacy. The central court (9) is open to the sky and provides
      access to all parts of the building. A second entrance to the
      north of the court was added in the 19th century, accessed from
      Zuqaq al-Ennabi, and is the one more frequently used.
 The mandara (16) to the
      east is, as is traditional, divided into three separate spaces.
      The central space has an octagonal basin of mosaic in the floor,
      with ventilation through a lantern 14 meters above. Another reception
      room, the salon, (12) to the south of the central court is decorated
      in two styles Cairene, with geometric patterns, and Turkish,
      with floral patterns. The ceiling in this room bears the date
      1731. Other rooms on the first floor include kitchens, outbuildings
      and storage spaces. The second floor is mainly occupied
      by private apartments, which are accessed by one stairway to
      the west. The Qa'a (35) is a beautiful traditional room,
      with floral decoration and plastered walls of slate blue. The
      rooms 37, 38 and 47 are similarly decorated, rooms 42 are from
      the 19th century and of less interest. Structures, Materials, Technology,
      and ConstructionThe foundations of the
      house are of quarry stones and rubble held together with earth
      mortar. They are laid in trenches dug into the ground, with the
      greatest depth being 1 meter and the width varying between 600
      to 800 centimeters. These were found to be in fairly good condition
      at the outset of the restoration work, and not too affected by
      water.
 As a general rule, the ground
      floor walls are faced with dressed stone, and the higher levels
      are of plastered brick. The filler between the stone facings
      is rubble and debris held together with a mixture of lime and
      earth. The floors are constructed in
      the traditional manner of a line of joists, which hold the floor,
      covered with a bed of filling material 150-200mm deep as the
      setting for flagstones. Lime mortar, about 50mm deep, and stone,
      also about 50mm deep, is used for the floor. The ceilings are
      constructed in the same manner as the floors, but the beams are
      carved and the exposed underside painted. Roofing also uses this
      construction method, but the stones are thinner and are waterproofed. CONSERVATION OBJECTIVES AND
      OUTCOMES A principle aim of the Harawi
      house project was to save an Islamic building of Cairo and to
      try to create more momentum in this direction. The restoration
      of the Harawi residence is seen as a 'work-school' for the learning
      of traditional skills. The completed project can be seen as a
      reference tool for future projects. Throughout the duration of
      the work, the Mission pursued the goal of educating the workmen. Great progress was made in the
      aim of reintroducing traditional construction methods, and in
      training artisans who could then use their skills elsewhere.
      The necessity of bringing in external qualified labor for more
      specialized restoration work resulted in many of the unskilled
      workers acquiring experience, skills, and even qualifications
      themselves. The second positive result of
      the project is the successful integration of the building into
      the social life of the quarter, and its wide range of visitors.
      The quarter has become cleaner around the Harawi residence, and
      the government of Cairo has made efforts to improve the quarter
      with new streetlights, resurfacing of certain buildings, and
      the regular removal of household waste. CONSERVATION PROGRAM INTERVENTIONS A main concern was to respect
      as much as possible the materials used in the original construction,
      so stone, brick and wood were used according to traditional practices.
      The use of lime was reintroduced, as too often it is abandoned
      in favor of cement with a detrimental effect on old buildings.
      All the materials used originated locally, and were often salvaged.
      To assure the same quality of stone for the floors, pieces were
      acquired from old buildings being demolished. Wood was also found
      in this way. Only the bricks used were of present day manufacture,
      and these were covered by plaster. It was essential that all the
      work be manual, and so there were no mechanical appliances or
      lifting gear on the site. Of the labor involved, 20% was specialized,
      such as that for the restoration of joinery or paintings and
      80% non-specialized, with 90% of all labor described as native. In the basement, some stones
      had been damaged by humidity and deteriorated through lack of
      maintenance. The availability of specialized local labor and
      materials meant it was possible to replace defective stones without
      the wall above failing  a technique that was also utilized
      in other areas of Cairo. The façade on the south
      of the court showed signs of profound modification since its
      original construction. Under a pointed arched door dating from
      the 19th century were signs of a fanlight, and signs were found
      of a large square bay window that had been blocked up and replaced
      by three pointed arched windows. Also, traces of a rectangular
      opening were found to the right of the door, at a high level. When these indications were verified
      by further investigation, it was decided to reinstate both windows,
      and replace the door. In the process of taking out the wall filling
      to reopen the bay window, pieces of a carved door were found
      that had been used to block up the opening, enabling the original
      18th century door to be reinstated. The façade on the west
      of the court showed two phases of construction  to the left
      is a carved stone doorway from the 18th century, and to the right
      side are pointed arched windows from the 19th century, built
      when the new north entrance was added. The older doorway was
      collapsing due to aging of the mortar, so in the conservation
      process it was taken apart and reassembled with new mortar, then
      micro-sandblasted to restore the original color of the stone.
      The newer part of this façade required serious restoration
      only to the joinery. The façade to the east
      of the court required much restoration at balcony level, with
      a complicated task of repairing the beams before waterproofing
      under the flagstones. The salon (12) required important restoration
      work to the ceiling that was carried out once the bays were reopened.
      The ceiling was in very poor condition, with some beams broken.
      It was strengthened by sliding metal structures into the ceiling
      and the main beams. In this way they were able to avoid making
      the additional structure visible. The Qa'a above the salon
      had a particularly broken up floor, and was also open to the
      sky as the center of the ceiling was missing. The ceiling was
      closed off by an octagonal element, recalling the lantern of
      the mandara. The painted ceilings were carefully restored
      and then appropriately lit. The mandara was missing
      its lantern and so this was replaced. The murals were restored,
      and missing elements of joinery replaced. Also, the entrance
      to the room was moved to its original position as this had been
      altered at some stage. The building's wooden screens
      and balconies were waterproofed and protected by tarring. All
      external brick construction was re-coated with lime plaster. Since its inauguration the house
      has been used to hold seminars, exhibitions, concerts and dinners,
      in both the salon and the mandara. SCHEDULE OF CONSTRUCTION 1986: Work starts with the restoration
      of the building's stone basements. Organizing the work, and more
      significantly, the delivery of materials caused much delay, so
      that the work did not resume normal speed until the start of
      1988. 1987: Ongoing repair of the structure
      of the building until 1991 including: repair of brickwork, vital
      work on both levels in the west zone of the dwelling, reinforcement
      of the floor in the Qa'a and room 37, repair and waterproofing
      of the balconies to the east and south of the dwelling, restoration
      of the lantern of the mandara, and restoration
      of the 19th century parts of the building. 1990: February: Study of the lighting of the building.
 1991:February: Electric cabling installed.
 March: Start of lime coating, and a first test of the restoration
      of woodwork, yielding inconclusive results.
 November: First attempt to restore the paintings  through
      the CRETOA d'Avignon.
 1992:January: Trial illumination of the house, which proved encouraging.
 March: The second mission to restore the painted ceilings, which
      took one month.
 October: Sandblasting of stone walls, which took until June 1993.
 1993:January: Final electrical installation.
 April: Final internal plastering.
 June: Lamps installed.
 August: Final laying of flagstones.
 September: Verification of last details.
 September 25th 1993: Inauguration
      of the house. THE PLAYERS Centre National de la Recherche
      Scientifique (CRNS)French Foreign Affairs Ministry
 Egyptian Antiquities Organization
 Mission for the Scientific Study of the Houses and Palaces of
      Cairo
 Mission for Safeguarding Islamic Cairo
 Bernard Maury, Architect
 FINANCING Labor $ 177,710Materials $ 90,361
 Professional consultants $ 530,120
 Other costs $ 212,350
 Total cost $ 1,010,500
 Cost per square meter $790 This cost per square meter is
      described as average for work of this kind. Eight percent of
      the total funds came from private sources, and 92% from public
      sources. None of the public funding was described as from local
      sources, 30% came from national sources and 60% from international.
      The labor was provided by the Egyptian Antiquities Organisation.   Bibliography Maury, Bernard; A. Raymond; J.
      Revault; M. Zakariya. Palais et Maisons du Caire II, Epoque
      Ottomane, XVI-XVIII siecles. Paris: Editions du Centre National
      de la Recherche Scientifique, 1983. Maury, Bernard. Aga Khan Award
      Project Record, 20th January, 1998.   Illustration Credits 1-8.  The Harawi residence, Images
      1  8: Aga Khan Award for Architecture archives, Bernard Maury. 9. Rotch Library Visual Collections, MIT, Cambridge, MA, "Plan
      of Islamic Monuments, 966-1945, detail of north half, east side."  10 - 13. Maury, Bernard; A. Raymond; J. Revault; M. Zakariya. Palais
      et Maisons du Caire II, Epoque Ottomane, XVI-XVIII siecles.
      Paris: Editions du Centre National de la Recherche Scientifique,
      1983.
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