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FEMA trailer
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For Immediate Release: April 29, 2008
Contact:
James Pollack
MIT Visual Arts Program
(617) 253-5229
e-mail vap@mit.edu
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Cambridge, MA...How can a controversial travel
trailer the size of a small classroom, benefit community and
perhaps change the world? The Massachusetts Institute of Technology
will come one step closer to answering that question, when it
unveils a FEMA trailer at MIT on April 30, 2008.
“We will not ever use trailers again,” FEMA Director
David Paulison at a press conference in New Orleans with Center
for Disease Control Director Julie Gerberding, on Thursday, Feb.
14, 2008.
The FEMA trailer has a controversial history and evokes sensitive
issues for many around environmental health and justice, public
housing, and governmental responsibility and effectiveness.
In 2005, the Federal Emergency Management Agency (“FEMA”)
purchased approximately 145,000 trailers and mobile homes just
before and after Hurricane Katrina, largely through no-bid contracts,
at an average of $18,620 each at a total cost of $2.7 billion.
Between 90,000 and 120,000 units were occupied by storm victims,
leaving a surplus of approximately 8,420 brand new, fully furnished,
never-used mobile homes. As a result of this surplus and the
return of used FEMA trailers, as of early 2007, FEMA had 60,000
trailers in storage nationwide, sitting in lots. Months after
FEMA deployed the trailers, some residents began to complain
of respiratory problems associated with formaldehyde off-gassing.
Moreover, social ills plague trailer communities—mental
health problems are significantly higher in FEMA communities
than in other areas in the Gulf Coast.
FEMA Trailer Project
Working with undergraduate and graduate students at MIT, Visual
Arts Program Visiting Lecturer Jae
Rhim Lee (SMVisS ’06)
will research and develop tools to understand the history and
issues surrounding the FEMA Trailer and use this understanding
to transform the trailer into a vehicle that can address disasters
critically. While it awaits transformation, the FEMA trailer
will serve as the interim Center for Art, Media, and Politics
(CAMP), a space for research, dialogue, and projects addressing
contemporary issues such as disasters, environmental sustainability,
and the like. The FEMA Trailer will be parked at 620 Putnam Avenue
in Cambridge, MA for the duration of the project.
Working with Sally Susnowitz and the MIT Public Service Center,
the FEMA
Trailer Project will issue the MIT FEMA Trailer Challenge
in Fall 2008, a competition with awards open to the MIT community
which will ask students across departments to propose solutions
to formaldehyde off-gassing, surplus trailers, and other problems
with the FEMA Trailer.
On May 12, 2008 the FEMA
Trailer Project will host an exhibit
at 620 Putnam Avenue in conjunction with the course Online Participatory
Media -- Networks, Tactics, Breakdown, taught by Amber
Frid-Jimenez.
The exhibit will feature interim research from the FEMA Trailer
Project as well as student projects in the Networks Tactics,
Breakdown class.
“I became interested in FEMA Trailers after working on
recovery efforts in New Orleans post Hurricane Katrina,” says
Lee. “The FEMA Trailer symbolizes the tragedies, controversies,
system failures as well as the incredible opportunity for renewal
that disasters present.”
It is the intention of the FEMA
Trailer Project to intersect
with contemporary issues critically without being negative or
critical of the institutions, organizations, or individuals involved.
The goal of the FEMA
Trailer Project is to find positive alternatives
to contemporary issues through a collaborative, research-based
artistic practice that engages governmental actors, community
partners, artists, and scholars.”
Though problem solving and creativity is not new to MIT, the
inspiration for this project comes from an unlikely place on
MIT’s campus, the Visual
Arts Program (VAP), which caters to
ten Visual Arts graduate students and nearly 150 undergraduate
students, within the aegis of the Department
of Architecture at MIT.
“Artistic practice and research often can be overshadowed
by the great scientific achievements made on MIT’s campus,” says
Ute
Meta Bauer, Director of the VAP. “The potential to
put an idea into action, that benefits the community, must call
upon both artistic and scientific modes of examination, understanding,
interpretation and lastly implementation.”
This coupling of artistic and scientific methodology is also
being implemented in the VAP Monday Lecture series “Zones
of Emergency” (ZOE) which furthers ideas developed by the
FEMA
Trailer Project. ZOE examines the scale and complexity of
catastrophe and disaster scenarios through lectures and panel
discussions with artists, scholars, and practitioners like Alfredo
Jaar, Mel Chin, and Mark Tribe.
For more information about the FEMA Trailer Project, the Zones
of Emergency Lecture Series, or the MIT Visual Arts Program,
please visit www.zonesofemergency.net
If you’d like more information about this topic, or to
schedule an interview with members of the MIT Visual Arts Program,
please call James Pollack at (617) 253-5229 or e-mail vap@mit.edu
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