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Ethiopian Musician Mulatu Astatke to visit MIT:
Public talk October 23

Mulatu Astatke
--photo by Phil Stiles
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For Immediate Release: Sept. 8, 2008
Contact:
Lynn Heinemann
MIT Office of the Arts
77 Massachusetts Ave, Rm E15-205
Cambridge, MA 02139
e-mail heine@media.mit.edu
(617) 253-5351
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Cambridge, MA... Seminal Ethiopian jazz artist Mulatu
Astatke will be an Abramowitz
Artist-in-Residence from October 10-24 at the Massachusetts
Institute of Technology. He will present a public talk and conversation titled, "Ethiopian
Contributions to the Development of World Music Instruments" on Thursday,
Oct. 23, at 7 p.m. in Room
10-250 (enter 77 Massachusetts Ave.).
Mulatu (Ethiopians are generally referred to by their first names) is one
of Ethiopia's major musicians. Born in 1943, in the city of Jimma, Mulatu
originally wanted to be an engineer.
"The problem with most [developing countries] is that music wasn’t
taken very seriously," he said in a May 2008 interview in Evil Monito
Magazine. "Science, like biology or chemistry, was given more importance
in the education system. Actually, I had an early desire to become an aeronautical
engineer, so I had the opportunity to go to an international school in North
Wales that gave its students the freedom to try all different types of subjects,
including music and the arts. I was one of the lucky few from my country to
go to Europe and study. I didn’t necessarily grow up with music; actually,
I was really involved in mathematics and physics. Because of that my approach
to music is different from others’. As a scientist, you would mix chemicals;
in the same manner I would mix sounds."
From there, Mulatu went to a science school in Birmingham, but soon transferred
to Trinity College of Music in London, where he studied clarinet, harmony
and theory. In the late 1950s, Mulatu was the first African student at Boston's
Berklee College of Music.
A multi-instrumentalist, mastering vibraphone, keyboards, organ, and percussion,
Mulatu is credited with adding instruments associated with Latin styles such
as bongos and congas to Ethiopian music. In New York City he founded the Ethiopian
Quintet (comprised mostly of Puerto Ricans), recorded his first album in 1966
before returning to Addis Adaba at the end of the decade, where he blended
Ethiopian traditional music with Latin jazz to create a unique hybrid he called "Ethio-jazz."
"I changed the whole Ethiopian music combining jazz and fusion with
the Ethiopian five-tone scales," Mulatu told the New York Times in October
2005. " Since then my name has been on the very, very top of the Ethiopian
musical scene."
Recently, Mulatu has been the center of renewed interest in the West through
a compilation on the Parisian series "Ethiopiques" (Buda Musique)
and a 10" 4-track compilation on the Soundway label of Brighton England.
Most notably, a number of Mulatu's compositions were featured in director
Jim Jarmush’s 2005 independent film "Broken Flowers," starring
Bill Murray and Julie Delpy.
While he remains a ubiquitous presence in the Ethiopian music scene, as club
owner, music school founder, radio DJ, composer, arranger and instrumentalist,
Mulatu maintains strong Massachusetts connections. He frequently collaborates
with the Massachusetts-based Either/Orchestra, one of jazz's longest running
and most important large ensembles. Mulatu met them in 2004 when the orchestra
was the first non-Ethiopian band to perform at the annual Ethiopian Music
Festival in Addis Ababa.
And, Mulatu has just completed a 2007-08 Radcliffe Institute Fellowship at
Harvard University, where his goals were to research how to develop the krarr,
a traditional Ethiopian five-string instrument, with electronic music specialists;
write an opera based on Ethiopian Coptic Church music written around AD 380,
which will be conducted using the mekwamia, an ancient conducting stick; and
write a book on the historical context of instruments used in the Ethiopian
Coptic Church and their contribution to the development of world music.
The first section of Mulatu's "The Yared Opera," which blends old
and new was premiered at Harvard's Sanders Theater in April 2008. Mulatu hopes
future performances of the opera which is based in part on the chant of St.
Yared, the founder of Ethiopian church music, will feature live musicians
in concert with the electronic version, and staged at the rock churches of
Lalibela, a holy city in northern Ethiopia.
Mulatu will return to MIT in April to follow up on projects started during
this residency.
The Abramowitz Memorial Lecture, presented by the Office of the Arts, was
established at MIT through the generosity and imagination of William L. Abramowitz
'35 as a memorial to his father. It has been sustained since his death by
the devoted interest of his wife and children. Since 1961, the Series has
brought renowned performing artists and writers to MIT to perform, present
public lectures, and collaborate with students in free programs.
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