Well, I was on my own. This time, I rolled all the ribbon backward to the
very beginning, as I were just started. Tried to clean the printer rollers as if they were
dirty. Loaded the ribbon, used the junked papers wasted the night before. Viola! It
printed! It did a self-test fine! Excited, I load the image again and print from
PhotoShop. No problem. I am on my way....
Closer Look
Now that I am not that frustrated, I can take a closer and calmer look at the printer,
for those who are interested.
- The Look: In deed, it is a cute little thing. Very compact and
appeared to be relatively well crafted. The structure is very simple --- all reminds me
of a dot-matrix printer. It is just a plan printer: -- no on-board memory, no printer
language, no setting switches. All it has are: power switch, on-line switch, input and
output trays, power (12V DC) inlet, and two data ports: on for PC one for Mac.
- Hardware Operation: The operation is very simple, since it is not
much of a computer as many modern printers have become. Most operation controls
reside in the software. The only significant operation on the printer is the loading of
ribbon and papers. Both appear to be quite straightforward, but from my experience
in the first night, I have to keep my fingers crossed.
- Software: The software is a driver, not a stand-alone software. The
installation is pretty standard for Win95. There are two other accompanying drivers.
One is the a color matching program, and one is a print spooler for Win95 and
backgrounders for Mac. Once the driver is installed, it will be automatically called by
the print command in applications such as PhotoShop. Most of printer setups are
made here, such as image orientation, darkness, resolution, and some minor things.
The PostScript option is offered as software, not an add-on cartridge to the printer.
This fact, and the hefty asking price, ends my plan of purchasing this option because
of its too limited use. (As an add-on cartridge it would be platform independent.)
- Printing Process: Printing is 4-pass. For dye-sublimation printing,
each color (in YMC order) is one pass, plus the overlay layer. For wax thermal
printing, it is the YMCK 4 colors. The process is pretty fast. The specifications given by
Fargo state 4.5 minutes per page. If the image occupies a smaller area, the speed
would be quite noticeably faster. The largest printing area is 8.5"x11.7".
Good Dye-Sublimation Print Quality:
Print quality on the 3-color dye-sublimation with overlay is good. I had a slide
scanned at 1012dpi resulting in an image about 1350x900 pixels. In Adobe
PhotoShop, without changing the overall image pixel size, I adjusted the printing
resolution. At 150 dpi (that is: one pixel in the image is expended into 4 printer
pixels, but the scaling is done by PhotoShop in printing stage), the printed image
(about 6"x9") is very close to what I could get from a good photo lab.
But, a full-resolution scan (2700dpi scanning of slide cropped to 300dpi
8"x12" print) does not produce any significantly better images: the sharpness is
severely limited by the lack of precision of the printer. The paper transport mechanism
of the printer is very primitive. It uses rubber rollers to roll the paper back and forth 4
times for each print. For this reason, I have never been able to obtain a print that has
all 4 passes precisely aligned. It appears that the paper’s orientation is slightly
changed after each pass. In most cases, the misalignment is about 1 to 2 pixels in
each direction, and the worst is at the top left corner (if printing in portrait
orientation). It also appears that the larger the printed area, the larger the amount of
misalignment. In some cases, the misalignment could be as large as 1 or 2 mm,
which renders the printed results as expensive junks. (Compared to Tektronix's
printer: there is absolutely no such alignment problem.)
There are some other problems I have encountered:
- For large area of same colors, there is very slight banding of colors that is
quite noticeable.
- After I changed to the regular 50-print ribbon, the ribbon always wrinkles in the
yellow pane when printing full page images. Printing over the wrinkled ribbon creates
streaks missing the yellow color, making the prints useless.
- The gray shades are not neutral and leaning toward magenta. The printer driver
does not provide any tool for color balance adjustment. (I got the magenta tint using
PhotoShop’s default setting.)
- I once printed a color strip in which the color continuously changes from blue to
green to yellow and to red. I found that the printer handles the green color quite
poorly: between yellow and green, there is only a few intermediate colors and the
color graduation is very abrupt; similar problem, although slightly better, occurred
between green and deep green (greenish blue).
- If there are any texts or thin lines in the image, one definitely needs to switch on
"enhanced text" mode. Without this mode, texts appear broken, and thin lines may
disappear.
- Compared to the print made form Tektronix's Phaser, the paper sold
by Fargo is much thinner.
- Fargo claims that this printer is "24-bit color" "continuous-tone printing" "at
300dpi resolution". However, a closer look at the print reveals that there are still
pattern of half-tone screens observable. This would suggest otherwise: dithering is
used, thus it is NOT true continuous-tone. The fact is: it uses 2x2 dots for dithering.
Because of dithering, the 300x300 resolution is meaningless without the information
of dithering. I like the printing quality, but I don't like these misleading, if not false,
claims.
I am trying to contact Fargo's Tech Support via e-mail regarding some of these
problems. The automated e-mail reply message said that I have to contact them by
the long-distance phone call. (Besides the phone charge, one has to pay $25 per
incident, and I don't know what "incident" means.) I am still waiting to see whether
any human will read my e-mail.
Here are a few things to watch out:
- A finger print on the paper before printing will definitely ruin the print.
Better ware gloves.
- Watch for lint getting into the paper, the ribbon, and the printer chamber.
Rigorous cleanness should be maintained.
- The printer requires RBG color images, although it prints in CMYK color mode.
Color separation and conversion are done by the printer driver. Remember, this is a
cheap printer that is aimed at not the same league as that of PhotoShop.
- Load the paper correctly. Unlike many printers, the printing side (shiny side) is
loaded facing down. (My first print sample was too faint because of this error.)
Dismal Wax-Thermal Printing:
In fact, I so far haven't been able to print a single image. My first night's
failure was due to attempting to print in wax thermal mode. The second morning,
printing a dye-sub self-testing played magic, and I managed to print a number of
testing samples to finish the materials supplied with the printer (10 sheets). The
following day, I tried the wax thermal printing again, and the printer choked as
before. After resetting the printer, by mistake I sent an image to print in the dye-sub
mode but using the wax thermal printing materials. Like a miracle, it printed. In the
process, the printer signaled media error intermittently but still managed to finish the
printing. It seemed to me that the problem is probably a bug in the wax-thermal
mode of the printer driver. From the partly failed prints, it is obvious that the quality
of wax thermal printing sucks! It is dithered half-tone printing, and the half-tone
screen is pretty coarse (approximately at 50 lpi frequency) and the screen is not 45
degree, and thus not quite pleasant.) Anyway, it is not working.
Afterwards, although frustrated, my inquiry mind and my responsibility to
my boss continued to force me to get it to work. With lots of messing around, I found
the following:
- The driver software is out-dated upon receiving my printer.
- The ribbon calibration procedure in the driver, the updated one, does not work at
all. This was later confirmed by the tech support from Fargo.
- The paper size specification (for the "Premium Quality" I bought) printed in the
owner's manual is wrong. This causes the printer to misfeed the ribbon and eventually
leads to the media error.
Eventually, I was able to get it to print a couple pages without error. But again, the
quality really sucks! For cheaper prints, the quality of a color xerox copy is far
superior!
Lots to Be Desired:
First of all, their tech support really pissed me off.
Second, there is room for improvement in the dye-sub printing quality, and
the wax thermal printing is a dismal.
The printer does not seemed to be built for heavy-duty use. The paper tray
can take a maximum of 25 sheets of dye-sub receiver papers. The manual
is not clear and contains numerous errors. The printer is probably too bare-bone.
Even if the wax thermal printing is working, switching between the printing modes is
quite a hassle and tends to be (human) error-prone.
The price. The printer itself is quite reasonable, although I see its price can
come down further. The supplies are outrageously expensive. When I discussed the
purchase with my advisor, he said: this is just like Polaroid, it gave you the camera
almost for free, then sold you the films for real profit.
Software and the approach. It is quite disappointing the way the software
was developed. I think this has to do with its marketing. It is currently pretty much
geared toward personal use. But I think $1000 is a magic price point. On the other
hand, the current price fits many small working groups such as research labs, small
business. For those people, they ought to develop the driver for Unix and WinNT, and
be network-ready. In my correspondence with its sales representative, it appears they
don't quite care about this market. Their Unix driver is developed by third party, and
PostScript is as software, and there seemed to be no flexibility in terms of their
pricing for a mixed-platform environment. The latest news from Fargo: WinNT drivers
for other Fargo printers are sold at $399. Maybe they are indeed care more about the
money made from supplies and softwares. I think it is scroogely stupid.
Somehow, I feel been cheated by the "24-bit color continuous-tone 300
dpi" claim. I also ordered some 1-color (B&W) FotoShield dye-sub ribbons. They are
back ordered at B&H. But from the printer driver menu, there isn't such a printing
mode! I am suspecting that such a ribbon does not exist at all in this world. I could
care less since this is not my money, and all I want is color dye-sub printing, but still,
there is a little hard feeling....
Conclusion:
A cute little thing does a little wonder, but, probably, what you pay is what you get.
My mind's eye sees a bold-faced word CHEAP written all over the place. A nice
product, but the people behind it gives me quite a hard feeling. Good engineering,
bad marketing and support, I suppose. I wished a competitor would appear in the
market soon. (No, I am not 100% happy with the product especially because I was in
a situation where money is not a concern.)
My recommendation for any one who is interested in buying a dye-
sublimation printer: hold your breath! .... Just a few days after I had this printer
running, I saw a local MotoPhoto (a chain 1-hour photo lab) was installing a photo
"copy station" using Polaroid's dye-sublimation printer. I chatted with the store's
technician a little bit, was told that the Polaroid's printer is a new product (I couldn’t
find any information on Polaroid's web site) actually made by Sony. No pricing
information yet, nor the cost per print. The store sells the print at $9 per page,
including self-service scanning and image manipulations. The printed image was
excellent. The sample displayed there is a photo surrounded a small 12-month
calendar, the texts on the calendar are as sharp as those I see regularly from a
600dpi-laser printer. I'll keep an eye on more information about this printer.
Back to my Digital Darkroom page
Last updated: March 14, 1998.