Samir Kassir
Histoire de Beyrouth
Paris: Librairie Arthème Fayard, 2003
Reviewed By Jens Hanssen
Since the
end of the Lebanese civil war, Beirut has received an avalanche of articles in
serious European and American newspaper columns, glossy travel magazines and
television reports which all celebrate the revived joie de vivre in this city
of death.[clxxvi]
Beirut is narrated as a very trendy Phoenix from the Flames! The glittering
downtown area rebuilt in less than ten years, is oozing urban confidence and is
portrayed as somehow emblematic of a general positive mood swing, a an
inviting, juvenile insouciance in Lebanon.
Of course
this is a packaged commodity. On the one hand, much of this hype is based on
the economic bubble billionaire and Prime Minister Rafiq al-Harriri blew up. On
the other hand it was intellectually sustained by historical myths about Beirut’s
blessed geographic position inbetween worlds and the city’s long-standing
ability to overcome adversity, natural or self-inflicted. The current
renaissance of Beirut invites comparisons and parallels in its long history, a
search for previous epochs of resurrection, not least because for many the city
stands for the triumphs of Arab modernity but also for its tragedies of
self-destruction.
The Beiruti
journalist-cum-historian Samir Kassir has set himself the unprecedented task to
offer a deep historical perspective on Beirut, and what he has come up with in
his monumental Histoire de Beyrouth is
a marvelous synthesis of everything we always knew about Beirut’s long history
but never had available between the two covers of a single book. In over 700 pages,
Samir Kassir offers a tour de force chronology of Beirut from the first time
Beirut went on historical record on the famous Tell al-Amarna tablets of the
14th century BC to the beginning of the 21. century. In doing so, the author
ably brings together for the first time the results of many recent studies on
isolated periods of Beirut’s history but also imports many of the gaps and some
inconsistencies in the existing scholarship. Any engagement in Kassir’s book
here is therefore a more fundamental assessment of the current state of affairs
on Beirut research.
The
Question of Urban Continuity
In
antiquity, Egyptians, Hittites and – following Alexander the Great’s conquest
of Syria – Satrap rivalries turned Beirut into contested territory while the
rich historical record attests the town’s hellenization. In 64 BC Beirut fell
to Pompei’s Roman legions and by the fourth century A.D. Beirut was
“incontestably a Christian city” (p. 64), designated as one of the (many)
places where St. George slain the dragon. It prided itself with a renowned Law
School which connected the city not only to the intellectual networks of late
Antiquity’s great cities, Constantinople and Alexandria but also to the
Justinian Code which was compiled by its scholars in 538 and is considered the
foundation of civil law in Europe.
Kassir shows
us how, time and again, Beirut found itself on the edge of the volatile
tectonic plates of religions and sub-civilizations: Roman versus Byzantine
Christianity, Sunni and Shia empires, Crusader and Mamluk states, Mongol
incursions, Ottoman paramountcy and Druze vassalship. Given the plethora of
rulers and empires which Beirut belonged to over the enormous time span from
14th c. BC to 18th AD, what has kept this city together, what constitutes its
historical continuity as a city (p.35)? How can we speak of one Beirut today,
claim its many epochs – in literature, art and architectural style – as part of
a single heritage? Kassir asks, is there “linearity” between periods of
openness and tolerance and periods of violence and barbarity? With such talent
and such promise destroyed on the altar of sectarianism, how can the historian
write the epic story of Beirut other than as tragedy?
1.
Cumulative History
The rupture
between one regime and its successor, between one epoch and the next was never
total. Even after the most devastating blow to Beirut’s urban continuity in the
6th century AD when, just as Beirut was making a mark on the cultural life of
Byzantine civilization, multiple earthquakes punished every heroic effort of
reconstruction with new, more violent destruction in 551, 554 and 560AD.
Beirut was
conquered 19 years after Muhammad left Mecca but it was not until the growing
fame of another Beirut-based school of law around Imam `Abd al-Rahman bin `Amr
al-Uza`i and his son Muhammad in the second century Hijri that the town made
its mark on “the mental geography of Muslims” (p. 73).
The 171
years crusaders’ stay in Beirut was short-lived in the grand scheme of things
as Mamluk dynasties filled the vacuum after the ousting of the crusaders. Two
Mongol invasions and innumerable epidemics and famines later, Syria in general
and Beirut in particular were unstable places and a dangerous trade
destination. The Ottoman conquest in 1517 brought peace and prosperity came to
provincial towns and port-cities of the Ottoman Empire as transit routes became
safer and maritime trade resumed. Gradually, local dynasties emerged within a
system of government that continued to remain fiscal, not territorial in nature.
In this
context, Samir Kassir introduces the central figure of Lebanese historiography
Fakhr al-Din al-Ma``ani not as the founder of modern Lebanon as he is seen
still on account of merging Mount Lebanon and coastal Beirut, but as an
efficient landholding bureaucrat whose political authority reached so far
inland – way beyond the Orontes and Beqa`a valleys that it threatened Damascus’
authority. Like so often in Beirut’s and Lebanon’s history, the quest for
autonomy meant not a challenge of Ottoman rule but rivalry with regional
powers.
Up to this
point then, the temporal and territorial ruptures in Beirut’s political
fortunes were neither predictable, nor absolute nor irreversible. What
guarantees cities’ stability and continuity is urban myth.
2.
Myths and Identity
Rome, Athens
and Baghdad are famous cities that suffered enormous ruptures and long periods
of lifelessness. From the sacking of Rome in 476AD to the Renaissance, its
barely 20.000 inhabitants experienced a thousand lackluster years in the
shadows of the monuments of past glory. In the 16th century the popes began to
tear these monuments down to make room for history’s greatest urban
reconstruction … until Haussmann’s Paris, that is. It may be ironic – though
certainly not unique given Solidere’s manners – that this renaissance destroyed
most of the remaining memorabilia of the very period it set out to ‘revive.’
The point is that the will to instrumentalize the past created historical
linkages and the myth of urban continuity.
In Athens
that other great city of Antiquity, this act of instrumentalizing the past took
place in the name of nation-building. For centuries, Athens had been an
insignificant outback town at the foot of vast archaeological ruins – constant
reminders that history had passed on. After a cathartic uprising against the
Ottomans in the 1820s, the Concert of Europe imposed a set of new rulers – an
odd string of Bavarian kings and the new state’s capital was moved from
Nauplion to Athens. Grand Hellenistic construction schemes projected urban
continuity and a distinct identity as the cradle of European civilization while
historical processes inbetween downplayed as irrelevant to the national
project.
Finally, as
every American pupil knows, Iraq is considered the cradle of urban civilization
– an honour which recently turned into a burden when exiled Iraqis in
Washington appealed to president Bush’s elementary wisdom to attack their
country. However, unbeknownst to Americans whose textbooks duly traced the
unstoppable westward march of civilization, Abbasid Baghdad became the pinnacle
of Islamic high culture. Although Baghdad was completely ransacked by Mongol
armies in 1258 subsequent Mamluk and Ottoman rulers reinvested heavily in its
urban fabric and thus ensured Baghdad’s urban continuity long after Western
production of knowledge had abandoned Iraq.
The examples
of Rome, Athens and Baghdad show that how ever abrupt cities change or how ever
devastating a disaster strikes, the gel that keeps cities coherent historical
entities are myths of urban continuity and past glory. There is nothing
objectionable about urban myths. Myths are not malicious lies or silly
mistakes. Kassir recognizes that the desire to instill a unique identity and
loyalty to a place dictates the meaning and relevance of a given historical
event. This takes place well after the fact, actually, mostly after historical
contiguity has been erased. To study urban myths historically, then, is to
trace how people identify with the places they live in how they make sense of
it.
One can
either reject one myth over another and claim mutually exclusive rights to the
city or deconstruct urban myths entirely as the fabrication of the ruling
elites to perpetuate their grip on power. Or, as Kassir does so well, one can
contextualize urban myths, embed them in their specific historical process and
allow history’s cumulative effect free reign. This way, Kassir and other
postwar intellectuals allow Beirut to possess a deeply-rooted, authentic
identity distinct from both other Arab cities and from Mount Lebanon without
taking recourse to cultural exclusivism. This mnemonic strategy presents a
place where all the diverse elements of society see themselves reflected in the
past. This history heals and is tolerant of the Other.
3.
The West: The only engine of modern history?
But if the
past serves to give Beirut a stable and authentic essence, what accounts for
its history of dynamic transformation in the nineteenth century? Here a
methodological problem occurs in Kassir’s Histoire
de Beyrouth that is common in scholarship on identity of places that are
deemed of the west but not in it. While the first part of the book ascribed
“Beyrouth avant Beyrouth” a connective and inclusive identity-endowing quality
and function, subsequent parts ascribed modern Beirut the ability and
compulsion to imitate and draw in the transformative powers of the West and
modernity itself. Whether it be “Entre Rome et Boston” (chapter 8), as “La
ville française,” (chapter 12), “petit Paris” (chapter 13), or, of course, the
cliché of “La Suisse de l’Orient” (chapter 15), Beirut is declared “a space of
Mimetism” (p. 247) where the things copied from the west are material proof of
progress and a conscious stepping-out of centuries of unproductive identity
accumulation.
If we want
to move beyond repeating such clichés of collective memory, we need to find new
perspectives and new sources of history – forgotten texts or new archival
evidence –that subvert the identitarian master narrative of the history of
Beirut. It is particularly urgent because historical documents are hard to get
by in Beirut, in part because of wartime destructions, in part because archives
are jealously guarded by community guardians lest something untoward about
their community is revealed.
In Kassir’s
book and in every study he draws upon, the curtains of Beirut’s modern drama
open only in the 1830s, when the Egyptian occupation opened up the Eastern
Mediterranean to European capitalism, in particular the silk trade, made Beirut
the port-city of Damascus and people started to adopt “western customs”. It is
certainly true that foreign consulates and companies began to settle in Beirut
from this period onwards. As Leila Fawaz’s important study has shown, at
mid-century, Beirut was a place where foreigners dominated the economic and
political sphere.[clxxvii]
The massive influx of Christian refugees into Beirut after the civil war of
1860 – over 10.000 according to Kassir (p. 275) – brought in European relief
workers and more missionaries.
However, it
has been overlooked that the devastating war which left an estimated 12,000
Ottoman subjects dead, also ushered in a deep crisis for the imperial
government in Istanbul and pushed it to accelerate provincial and municipal
reforms. And this they did with considerable success. Thus, by 1871, the
British consul cabled to his superior in Istanbul that “the days when Governor
Generals trembled before Consular Dragomans had passed - never it is hoped, to return … no Governor
General would submit to the subserviency of a Consul which was common twenty
years ago.”[clxxviii]
Zuqaq al-Blat; Cradle of Arab
Modernity
After 1860,
social relations were caught up in what Kassir calls a “cold war of the
communities.” It was “the fruit of minority militarism” (p. 278-80) and
exacerbated by the cult of the qabaday
(p. 280-284). Meanwhile well-to-do Beirut was concentrated a world apart in the
beautiful east Beirut quarter of Gemayzeh. Here the Sursuqs, Bustrus and the
Trads built giant palaces and generally upheld the virtues of liberalism in
trade and leisure.
Christian
Gemayze continues to epitomize our view of historical Beirut thanks to the
forty years of preservation activism by Lady Cochraine. However, the constant
search for urban continuity, in particular the search for physical traces of
it, denies that the history of Gemayze does not represent all of
nineteenth-century Beirut and that its wealthy inhabitants took little part in
non-economic aspects of modern Arabic literary production other than fund it
occasionally. Any serious examination of the urban geography of the nahda al-`arabiyya reveals that not
Gemayze but Zuqaq al-Blat – little-known and much-destroyed during the civil
war of 1975 – was the centre of modern Arab literature, culture and education
in the nineteenth century.
It was here
that the Yazijis developed Modern Standard Arabic as we know it, taught and
wrote about Ottoman, Arab and Syrian patriotism. Butrus and Salim Bustani
pondered the centrality of their country in the global economy as well as the
geographical division of labour between ‘Bab’ Beirut and ‘Batn’ Syria (which
for them included Mt. Lebanon) in the 1880s.[clxxix]
`Abd al-Qadir al-Qabbani and Khalil Sarkis, the publishers of the two main
newspapers, Thamarat al-Funun and Lisan al-Hal, lived here. Al-Imam Shaykh
Muhammad `Abduh found asylum among the literati of Zuqaq al-Blat when he was
exiled by Lord Cromer in 1882.
It was here
that the Maqasid was founded, and where the Wataniyya, Sultaniyya, `Uthmnaniyys
and Patrakiya Schools were located, four of the most prestigious secondary
schools in Bilad al-Sham. Even the Syrian Protestant College was located here
in its first four years of operation before it moved to the barren lands of Ras
Bayrut in 1870.[clxxx]
When Kassir talks about the emblematic openness, cosmopolitanism and
intellectual fervor of nineteenth-century Beirut, they mean confessionally
mixed Zuqaq al-Blat but credit Christian Gemayze.
During the
French Mandate period, Lebanese nationalists realized that they needed Arab
nationalism to get rid of the French but needed the French connection to
maintain autonomy vis à vis a Syrian or Arab entity. In the light of the above,
it is not surprising, then, that another long-term resident of Zuqaq al-Blat,
Michel Chiha, should base the most accepted version of Lebanese nationalism on
the notion that historically Lebanon has been an open Mediterranean society
rather than a closed mountainous one or an undifferentiated Arab one.
The Chimera of Mimetism
From the
chapters on the Mandate period onwards (p. 300-494), Kassir is most interested
in national politics and tourism as a historical force of cultural change.
Despite interesting enumerations of intellectual circles, avantgarde
publications and political parties during the 1930s, Beirut’s apparent
imitation of Paris is the driving force of urban history behind which all else
recedes into the background. “Parisianism” – a sub-theme of westernization and
apparently a Beirut-specific form of ‘mimetism’ – is the process of cultural
diffusion by which all of Beirut imitates some Parisian way of life. Thus
Beirut assimilates into a pre-existing Western modernity which itself is
apparently unaffected by its encounter with the East.
All of this
was made possible by “the arrival of technical civilization” in Beirut.
According to Kassir, this brought about individualism and the emancipation of
the self from deep traditions. The implications of this logic are, of course,
both highly problematic and paradoxical because in Kassir’s story Beirutis became
free-thinking citizens by copying the West!
In this
lengthy middle part in particular, Kassir’s valuable points about Beirut’s
recurrent contributions to Arab modernity were overshadowed by pages and pages
on cinemas, bikinis, fast cars, party zones and other frivolities of
westernization. The more one reads on, one cannot help but think that this is
not actually a study of urban history! Beirut seems incidental to national,
regional and international politics, in particular where there are scholarly gaps
on Beirut – most glaringly its significant municipal history. Thus there is
never any real sense how Beirut worked as a city, how it was financed or taxed.
Towards the end Kassir’s book veers off into a consumers’ guide for tourists
who like to relive the roaring sixties and who share with his generation the
paradoxical idea that tourists brought cosmopolitanism to Beirut (p. 363-9).
A pladoyer for Municipal history
Kassir’s
book largely ignores the crucial history of Beirut’s municipality. This gap is
understandable because no academic research on this important aspect of modern
Beirut had been available to the author. But Kassir dismisses the Beirut
municipality as a powerless institution and bases this claim on the myth that
Beirut was modeled on Paris which also famously lacked municipal authority for
the longest time (p. 499). To take a gap in the extant literature as a lack in
Beirut’s history is a grave error. To argue this point through a weak analogy
with Paris only makes it worse.
The flipside
of Beirut’s alleged Parisianization is Lebanonization (p. 402). It is true that
the post-1860 the refugees from Damascus and Mount Lebanon have contributed to
an atmosphere of fear and loathing in Beirut where sectarian identity – to
paraphrase Samir Khalaf – became both emblem and armor. However, it is
necessary to acknowledge that unlike the Mutasarrifiyya of Mt. Lebanon,
Beirut’s main institution of government, the municipal council, was not
institutionalized into confessional quotas (what is referred to in Lebanon as
the “sitta sitta mukarran” logic)
until the French Mandate period.
A chart of
the composition of first one hundred popularly elected municipal councilors
between 1868 and 1908 demonstrates how widely the religious affiliations of its
twelve members oscillated. Generally, elections which were held every two years
for six councilors were based on a combination of residential and confessional
factors. Two things stand out from the chart: first, although Sunni, Greek
Orthodox and Maronite representation was strongest throughout, the ratio of the
communities was not predetermined and fluctuated greatly. Second, unlike
municipal councils in Istanbul and Alexandria, after 1877 foreigners were
barred from municipal elections in Beirut.
It is impossible
to write a history of modern Beirut without an assessment of who was elected to
the municipal council, how it operated and how it defended the interests of the
city against European capitalism and colonialism, and against the Ottoman
imperial government. Only a deep understanding of Beirut’s checkered municipal
history from Ottoman elitism to French sectarianism to independent PanArabism
can offer a critical perspective on the current urban crisis of Lebanon’s
capital.
Jens Hanssen is Assistant Professor in Middle East and Mediterranean History at the University of Toronto. This article first appeared in Arabic in Mulhaq al-Nahar (665) December 5, 2004 under the title “al-Wa`i al-tarikhi fi-Bayrut.”
[clxxvi] See, for
example, “Beirut gets its Groove Back” in The New York Times, March 4,
2004,
[clxxvii] Fawaz, Leila, Merchants and
Migrants in Nineteenth-Century Beirut (Cambridge, MA: HUP, 1983).
[clxxviii] Public
Record Office (London), FO/78/2259, September 9, 1871.
[clxxix] Fawaz
Trabulsi, “Salim al-Bustani fi nass ta’sisi: ‘al-bab’ wa ‘al-batn’ suratani
li-dawr Lubnan al-iqtisadi,” Mulhaq an-Nahar, January 11, 1997.
[clxxx] See Jens Hanssen, “The
Birth Of An Education Quarter Zokak el-Blat as a Cradle of Cultural Revival in
the Arab World,” History,
Space, and Conflict in Beirut; the Quarter of Zokak el-Blat Bodenstein, Ralph, H. Gebhardt, J.
Hanssen, B. Hillenkamp, O. Kögler, A. Mollenhauer, D. Sack and F. Stolleis
(Beirut: Orient Institut, 2004).