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http://www.sluggy.com

By Becky Hurwitz

The artist, Pete Abrams, creates Sluggy Freelance as a web-comic. He draws the strips by hand, and then scans them in, using computer programs to add coloring to Sunday strips. He employs the left to right sequencing of frames to represent movement through time. Unlike Scott McCloud, Abrams seems to view the internet as a forum for displaying comics as they would be displayed in a newspaper or other forms of print media.

When looking at comics online, I find that I look for comics that vary significantly from the comics I might see in a newspaper or magazine. I often look for the video game-like quality to the images, and, perhaps, have come to expect these types of images. Usually, online comics express that they are online through the digitally created images or through some other aspect such as layouts not found in print (ie. Scott McCloud).

I found that Sluggy Freelance did not acknowledge the differences between print media and the web as forums for comics. It did not express the differences, but rather, treated itself as a printed comic would. I found that this did not detract from the comic content, nonetheless, one might be less attracted to this site upon first inspection. This seems to imply that comics can exist on the web just as they traditionally have in print, and, that perhaps, the online comics that do acknowledge and/or take advantage of the technology of the web represent a different subdivision of comics.

Although the artist did not use the web technologies to create his comics differently from printed comics, he did utilize web technologies to create a community based around his comic. This is an integral part of web technology, as this almost real-time communication within a community has not previously been available. The web is an ideal forum for building such a community and for gaining a dedicated fan base for Abrams' work.

Abrams also utilizes the micro-payment. This service, as Scott McCloud presents it, allows the reader to pay the artist in a more direct manner than payment for comic books. The artist is trying to generate some revenue through technologies that are available only on the web. In addition to the micro-payment, a Sluggy Store is accessible through the website. This is another commonly used method of generating revenue through the web.

The Sluggy Freelance website shows that there may be a strong argument to be made about more traditional comics on the web. Sluggy has a strong fan base, possibly strengthened by web forums and discussion boards. If this fan base is dedicated enough to the comic, perhaps Abrams will generate revenue through his web-based comic. However, we should be careful not to measure the success of this comic only on the revenue it generates online.