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Sistas 'N the City
By Sarah Rotman

Sistas 'N the City is an animated show featured on urbanentertainment.com, a site that provides entertainment for the African-American community (this is part of their mission statement; the content and characters of all the animated shows and short films is focused on being black in America). There are four episodes of Sistas now on the site, each of which features a core group of four African-American women who "live, love, and dish like only black women can." The title, and the premise, is a parody of the popular HBO series Sex in the City, set in New York, which features four wealthy white female professionals and follows them in their romantic relationships. Both shows advance the narrative with voiceover from the protagonist, in this case, Tamika-a lithe, with-it professional (think Vivica Fox in any movie). Sistas has adopted the sitcom convention of easily stereotyped characters to allow the audience immediate identification, and it uses this device to explore some provocative content: Intra-racial elitism, interracial marriage, class, black masculinity, and black sexuality. Although the characters in Sistas deal with more challenging content than their whitewashed HBO counterparts, the weakness of the show is that the characters are too one-dimensional. The characters can easily be categorized as familiar stereotypes of black women: the bourgeois wanna-be white, the sexpot ingénue, the deep-voiced lesbian, and the stylish professional. Future directions this show might take would involve getting beyond the stereotypes without shying away from provocative political content. In doing so, the show may attract a broader swath of the African-American community. And while niche markets can be successful, perhaps the show's producers should consider reaching an audience outside of the African-American community, so the political and social messages don't fall on deaf ears.

All in all, however, the show does fulfill the potentials of its media in several ways. It is fully aware that it is not on prime time television, or even cable, and does not shy away from sexually explicit content that would earn it severe ratings in other media (two lesbians topless in a hot tub; a doctor/patient tryst reminiscent of soft-core porn). Animation allows for some freedom with characters and plot (Tamika's boyfriend is morphed into a toddler when his mother calls interrupting their date). The show is able to pinpoint a narrow audience with its carriage on an entertainment website for the African-American community. It is just about the right length for comfortable Internet viewing, and its episodic cliffhangers encourage the viewer to watch the next segment.