Thursday, November 1, 2001
5:00 - 7:00 p.m.
Bartos
Theater
MIT Media Lab
20 Ames Street
Abstract
Over the past several decades, independent film and video
makers have used local-access television to spotlight and provide
alternative perspectives on topics of vital interest in their
communities. Yet, there has also emerged a national or even
international network of local-access producers who share tapes,
collaborate on productions, and participate in larger policy
debates. Paper Tiger Television has been a leading force in
building up this community of video activists, and during the
Gulf War it demonstrated how such a network could provide alternative
news coverage of an international conflict. Big Noise's film
about the Seattle WTO protests, This Is What Democracy Looks
Like, is an important example of how lightweight digital
cameras can give a street-level perspective on activism. Now,
the events of September 11 and their aftermath have once again
focused attention on the limitations of mainstream media coverage
and led to fresh demands for alternative news sources. In this
Forum, we will examine how grassroots documentary makers such
as such as Paper Tiger Television and Big Noise Films are responding
to the attacks and the war against terrorism, and what challenges
they face in forming grassroots media organizations for covering
international developments.
Speakers
Dee Dee Halleck is founder of activism collective Paper
Tiger Television and co-founder of Deep Dish Television, the
first national public access satellite network. She is a professor
in the Department of Communication at the University of California,
San Diego, has directed and produced numerous documentaries,
and is the author of Hand Held Visions: the Impossible Possibilities
of Community Media, a collection of her essays to be published
by Fordham University Press.
Richard Rowley is co-founder of Big Noise Films, a media
collective devoted to political documentary. His film This
Is What Democracy Looks Like is an account from the World
Trade Organization protests in Seattle. Rowley and the Big Noise
collective have been instrumental in the new Independent Media
Center movement, producing segments of the Showdown in Seattle
and Breaking the Bank satellite broadcasts.