international conference april 27-29, 2007 mit
Reproduction, Mimicry, Critique and Distribution Systems in Visual Art
Sunday, April 29, 2007
10:45 am-12:15 pm
Today, artists working in new media, including video, web projects and music confront contested and conceptually confusing terrain in which reproduction can be as perfect as the artist desires and endless copies theoretically possible. Yet many find the lack of clarity stimulating and a compelling space in which to break new ground. Why are so many artists today mimicking new forms of visual culture and their distribution systems -- even at the risk of confusion with their popular sources? How are artists debating the value of tightly controlling distribution of media art versus allowing its wider reproduction? What are the tradeoffs artists make between creating artificial scarcity to increase a work's unique value and increasing its visibility through broader reproduction? How are the needs of those who teach and write on video going to be met in the face of hyper-commodification?
Tony Cokes, who teaches art at Brown University, uses videotapes and installations to explore personal, cultural and historical constructions. Cokes's works have been exhibited at the Museum of Modern Art, the Whitney Museum of American Art, the Guggenheim Museum Soho, the Institute of Contemporary Art, Boston, and other venues. email
Andres Laracuente approaches art making as adventure, and frequently focuses on the idea of existence in mediation. With past exhibits in Chicago, New York, Berlin, and Paris, he is currently developing a documentary of art making in collaboration with artists across the U.S. email
Michael Mittelman is founder and editor of ASPECT: The Chronicle of New Media Art, a biannual DVD periodical. He is also an active artist with exhibitions at the List Visual Arts Center, DeCordova Museum and Sculpture Park, and ArtSpace, New Haven. email
Bill Arning is curator at MIT's List Visual Arts Center. Since joining the List Visual Arts Center in 2000 he has organized such acclaimed exhibitions as America Starts Here - Ericson and Ziegler ( 2006), which was awarded first prize for best monographic show in a Boston museum by the International Association of Art Critics; Thoughts Unsaid, Then Forgotten (2005); Son et Lumire (2004); and Influence, Anxiety and Gratitude. email
To be posted following the event.
An audio recording of Reproduction, Mimicry, Critique and Distributions Systems in Visual Art is now available.
In order to listen to the archived audiocast, you can install RealOne Player. A free download is available at http://www.real.com/realone/index.html .
A podcast of Reproduction, Mimicry, Critique and Distributions Systems in Visual Art is now available from Comparative Media Studies.
A webcast of Reproduction, Mimicry, Critique and Distributions Systems in Visual Art is available.