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Triumphal Arches of Titus,
Septimius Severus, and Constantine

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Arch of Titus

Explore the imagery on the arch

Historical Context

The Arcus Titi, or Arch of Titus, was ostensibly erected to honor Titus and his father Vespasian because of their victories in the first Jewish War and their triumphal procession in AD 71. [1] The monument was built sometime after Titus’ death in AD 81. The arch sits at the eastern end of the Roman Forum at the intersection of the Sacra Via with a road leading up from the Coliseum.[2] No ancient sources describe or even mention the arch, a fact that leaves the history and interpretation of the arch with significant gaps.[1] The exact period of construction is unknown, with the majority opinion being that it was built during the reign of Titus’ brother, Domitian.[1] The arch may also have been constructed after Domitian had been assassinated, during the rule of Nerva and Trajan.[3]

The arch was constructed of Pentelic marble on a travertine foundation.[1] The dimensions of this arch are 15.4 meters tall, 13.5 m. wide, and 4.75 m. deep. The archway is 8.3 m. high and 5.36 m. wide.[1] Above the archway is a simple entablature with inscription, preserved only on the eastern, Coliseum side:

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Arch of Titus, viewed from the east.

Arch of Titus, viewed from the east.
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Side view of the Arch of Titus.

Side view of the Arch of Titus.

Through the ages

During the Middle Ages, the arch was used by the Frangipane family as part of their fortifications.[1] Modifications were made, such as adding a chamber in the upper part of the archway and lowering the roadway (exposing the travertine foundations).[1] After the defenses were demolished by 1822, the arch was restored by Italian architect Giuseppe Valadier in about 1830.[1,4] He practically disassembled the entire monument and replaced many of the pieces with replicas made in travertine.[3]

Interpretation and Historical Questions

Is the arch a triumphal arch?
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Is the arch a triumphal arch?

Although the Arch of Titus is referred to as a triumphal arch – after all, it is decorated with scenes from his triumphal procession in AD 71 – the circumstances under which it was built show that the arch was more a tribute to Titus himself than to his triumph. Triumphal arches were typically built shortly after the triumph since both were granted after exceptional military service to Rome and essentially served to advertise to the Roman people the general or emperor receiving the triumph.[6]

The Arch of Titus, however, was built after Titus’ death. The eastern inscription exalts Divo Tito, or divine Titus. Deification only occurred after the death of an emperor. The center ceiling coffer depicts Titus leaving earth for heaven on the back of an eagle.

In this way, the arch is a monument to Titus’ life and death yet for traditional form focuses on one of the more important events in his life: his triumph in AD 71.

Date of construction
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Date of construction

The building of the arch is usually attributed to Domitian, Titus’ brother and succeeding emperor. He may have constructed the arch in order to reinforce the idea of his nobility and right to hold the principate.[7] Being of the Flavian family, Domitian did not descend from an aristocratic family but from a line of tradesmen.[7] While not having nobility on their side, Vespasian and Titus did have fame and military success to affirm their rule, but Domitian only had his blood connection to claim the emperorship. It may have been political necessity for him to demonstrate his divine lineage to allay tension with the aristocratic senate.

Also, Domitian may himself be shown on the arch as a mounted youth in the triumph.[8] However, Domitian suffered damnatio memoriae, or the eradication of most everything naming or referring to him, after his death.[8] It is unlikely that Domitian would be shown on a monument built after his death.

Alternatively, Domitian did loathe his brother.[7] If not driven out of necessity to build a monument to his brother, he probably would not. The Arch to Titus then would have been built after Domitian had been overthrown and replaced with Nerva and later Trajan in an attempt to “forget” about Domitian and remember how good Titus was in comparison.

Roma vs. Virtus
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Roma vs. Virtus

The female figure leading Titus’ quadriga is typically identified as Roma, the goddess personification of the city of Rome herself. However, how can Roma lead Titus from outside into herself?[8] This is a tricky question about a very specific matter in the Roman religion, and it might simply not be answerable with what we know. Continuing with the thought, though, if not Roma then the figure may be Virtus. Of course, if Roma is not Roma then perhaps the young male walking beside Titus is not the personification of the Roman people; perhaps he is the concomitant Honos.[8] Making identifications of figures is often not much more than guesswork.

If Honos and Virtus are accompanying Titus, this only bolsters the view of the arch being a monument to Titus as a virtuous man in life and death rather than to specific military actions of his.

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The figure leading Titus’ quadriga may not be the goddess Roma, as traditionally assumed.

The figure leading Titus’ quadriga may not be the goddess Roma, as traditionally assumed.

21h.405j
Professor William Broadhead
MIT, spring 2008