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While living and painting in one small room, I realized that small
paintings in acrylic would dry quickly, stack neatly, and could be carried
to work every day to hang behind my computer. The practice enabled me to
undertake a rapid exploration of the architectonic and emotional
possibilities of color, light and the associational possibilities of
semi-abstract imagery (and also keep a little of my mind in the studio
while working 9 to 5!). The practice has since been emulated by peers in
Northern Vermont and Provincetown as a means to free both hand and
imagination from the constraints and demands of large paintings when faced
with a need to take greater risks in their work.
Go to the Dean's Gallery home page
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