2005
-2006 |
Playwrights in Performance
The Last Glance
by Hortense Gerardo C
Bernardo Cavallino Paints St. Cecilia
by Helen Lin ’06
The People Sleep, Sleep in the Daytime
by Rony Kubat G
| | |
|
Felutopia
by The Coalition Against Racist Propaganda and Other Crimes Perpetrated by the White Man; directed by Adam Miller ’06
| |  |
|
Electronic City
written by Falk Richter; translated by Marlene J. Norst; directed by Kenny Roraback ’06
| |  |
|
An Evening With The Coalition
Whitewashing
by The Coalition
23:59
by Dan Chonde ’07
Closing Time
by Adam Miller ’06
| | |
|
The Old Law
by Thomas Middleton and William Rowley, adapted by Max Hafler; directed by Max Hafler
| | |
|
One-Acts
Outside Room 943
by Kayla Jacobs ’06; directed by Catherine Havasi ’03
The Barren Tender of a Poet’s Debt
by Jonathan Reinharth ’06; directed by Ashley Micks ’09
Untitled (and Titling "Untitled")
by Usman Akeju; directed by Jeff Klann ’01
The Cruelest Month
by Sunny Wong G; directed by Tess Diduch ’06
| | |
|
Leocadia
written by Jean Anouilh; translated by Timberlake Wertenbaker; directed by Michael Ouellette
| | |
|
2004
-2005 |
The Demolition Downtown
by Tennessee Williams; directed by Jay Scheib
| | |
|
The Comedie of Errors
by William Shakespeare; directed by Jonathan Wolfe ’03
| | |
|
The Bear
by Anton Chekov; directed by Adam Miller ’06
| | |
|
The Internationalist
by Anne Washburn; directed by Janet Sonenberg
| | |
|
One-Acts
The Trouble with Dating an Artist
by Amy Fisher ’05; directed by Jonathan Wolfe ’03
On The Fritz
by Nancy Keuss ’04; directed by Aaron Tan G
Arlo
by Whitney Erin Boesel ’04; directed by Jeff Klann ’04
| | |
|
This Spring of Love
by William Shakespeare, adapted by Michael Ouellette; directed by Michael Ouellette
| | |
|
2003
-2004 |
2003 Playwrights in Performance
directed by Alan Brody
Laughed to Scorn
by Max Goldman ’04
Vikings
by Daniel Liston ’04
Fidgeting at the Wheel
by Daniel Zaharopol ’04
| | |
|
Power of Darkness
after the play by Leo Tolstoy; directed by Jay Scheib
| | |
|
The Company of Angels
by Alan Brody; directed by Michael Ouellette
| | |
|
One-Acts
If the Crazy Man is Right
by Amy Fisher ’05; directed by Kuuipo Curry W’04
Maxwell’s Equation
by Nancy Keuss ’04; directed by Dimie Poweigha C
Tug of War
by Aaron Moronez ’04; directed by Whitney Erin Boesel ’04
| | |
|
2002
-2003 |
She Loves Me
lyrics by Sheldon Harnick; book by Joe Masteroff; music by Jerry Bock; stage direction by Michael Ouellette; musical direction by Martin Marks
| | |
|
HAMLETS
directed by Janet Sonenberg; adaptation by Janet Sonenberg and Alex Chisholm, with Vladimir Zelevinsky; original music by Evan Ziporyn
| | |
|
One-Acts
Satellite
by Whitney Erin Boesel ’03; directed by David Roe ’06
One Down
by Dan Katz ’03; directed by Adam Glassman G
Spring
by Chen-Hsiang Yeang G; directed by Masha Kamenetska ’05
| | |
|
2001
-2002 |
|
2000
-2001 |
Bhoma
directed by Sudipto Chatterjee; written by Badal Sircar; translated by Badal Sircar with Kalyani Ghose; adapted by/for us
| | |
|
The School for Scandal
by Richard Brinsley Sheridan; directed by Michael Ouellette
| | |
|
One-Acts
The Reception
by Erin Lavik G; directed by Edmund Golaski G
A Head for Ganesh
by Anand Sarwate ’01; directed by Adam Glassman ’02
Playing to Win
by Damian Isla G; directed by Debora Lui ’02
| | |
|
1999
-2000 |
|
1998
-1999 |
|
1997
-1998 |
The Illusion
by Pierre Corneille; freely adapted by Tony Kushner; directed by Janet Sonenberg
| | |
|
Grand Hotel
book by Luther Davis; songs by Robert Wright and George Forrest; based on the novel by Vicki Baum; additional music and lyrics by Maury Yeston; directed and choreographed by Thomas DeFrantz
| | |
|
One-Acts
Edgewordwise
by Anand Sarwate ’01; directed by Jeremy Butler ’98
Auditions
by Rob Marcato G; directed by Rony Kubat ’00
Triple Fable
by Eddie Kohler G; directed by Monica Y. Gomi ’96
| | |
|
1996
-1997 |
Down and Dirty
directed by Brenda Cotto-Escalera
| | |
|
Much Ado About Nothing
by William Shakespeare; directed by Michael Ouellette
| | |
|
One-Acts
SidiS
by Lawrence K. Chang ’97; directed by Van C. Van ’97
Cyril and Harry
by MacMurray D. Whale G; directed by Charles Armesto ’96+
Five Fake Dreams in Six Short Scenes
by Eddie Kohler G; directed by Avi C. Weiss ’98
| | |
|
1995
-1996 |
Medea
by Jean Anouilh; directed by Michael Ouellette
| | |
|
Escape from Happiness
by George F. Walker; directed by Janet Sonenberg
| | |
|
One-Acts
A Walk in the Dust
by MacMurray D. Whale G; directed by Monica Gomi ’94+
A Red Room on Beacon Street
by Lin-Ann Ching ’98; directed by Joseph Kaye ’99
Six Pictures
written and directed by Ivana Komarcevic ’96
| | |
|
1994
-1995 |
The Winter’s Tale
by William Shakespeare; directed by Michael Ouellette
| | |
|
The Skin of our Teeth
by Thornton Wilder; directed by Alan Brody
| | |
|
One-Acts
Something to Drink
by Lin-Ann Ching ’98; directed by Dave Dettmer ’95
Big Man
by Rick McKern ’94; directed by Ivana Komarcevic ’96
Wisdom and Song
by Joe Bondaryk G; directed by Joshua Abrams ’95
| | |
|
1993
-1994 |
Birth and After Birth
by Tina Howe; directed by Gene Schuster ’94
| | |
|
F. O. B.
by David Henry Hwang; directed by Kim Mancuso
| | |
|
Spring’s Awakening
by Frank Wedekind; directed by Michael Ouellette
| | |
|
One-Acts
Milday Suraj: Touching Suns
by Asim Khwaja ’95; directed by Andrew Quixote Kraft ’95
Sight Unseen
by Brooks Mendell G; directed by Maribel Lee Delfaus Rosaorio ’95
Summer People
by Joseph E. Bondaryk G; directed by Robert Dyckman ’94
| | |
|
1992
-1993 |
Sexual Perversity in Chicago
by David Mamet; directed by Gene Schuster ’94
| | |
|
Beirut
by Alan Bowne; directed by Janet Sonenberg
| | |
|
Six Characters In Search of an Author
by Luigi Pirandello; directed by Alan Brody
| | |
|
One-Acts
God Have Mercy Upon Us
by J. E. Bondaryk G; directed by Jonathan Amsterdam G
Dating
by Jonathan Amsterdam G; directed by Sue Downing ’86
Confrontational Worship
by Larry C. Taylor ’91+; directed by Adam T. Lindsay ’94
| | |
|
1991
-1992 |
One-Acts
Making Scenes
by Jonathan Amsterdam G; directed by Craig White ’93
Justify My Love
by Thomas Westcott ’93; directed by Gene Schuster ’94
Bridging the Gap
by Jack Miller ’93; directed by Jennifer Duncan ’92
Captain Omega
by Paulo Pereira ’93; directed by Franz Elizondo Schmelkes ’94
| | |
|
Le Bourgeois Gentilhomme
by Molière; translated and directed by Richard McElvain
| | |
|
The Mayor of Zalamea
by Pedro Calderón de la Barca; adapted by Adrian Mitchell; directed by Michael Ouellette
| | |
|
1990
-1991 |
One-Acts
Reflection
by Joseph E. Bondaryk G; directed by Julia Soyer W
Falling
by James Kirtley ’94; directed by Michelle Starz ’94
Uncle
by Brooks Mendell ’93; directed by Michelle P. Perry ’89+
The Secret Value of Aardvarks
by Sean Ningen ’93; directed by Jennifer Duncan ’91
| | |
|
The Birds
by Aristophanes; directed by Michael Ouellette
| | |
|
Blue Window
by Craig Lucas; directed by Judy Braha; original music by Charlie Pokorny ’91
| | |
|
1989
-1990 |
One-Acts
Out of the Woods
by Jonathan Amsterdam G; directed by Kelly Marold ’9? and Julie Schmittdiel ’91
Dolphin Dancing
by Elisabeth Stock ’90; directed by Sasha Wood ’93
The Horrible and the Miserable
by Glen Weinstein ’92; directed by Hoyt Bleakley ’93
| | |
|
Cloud Nine
by Caryl Churchill; directed by Jayme Koszyn
| | |
|
Arms and the Man
by George Bernard Shaw; directed by Michael Ouellette
| | |
|
1988
-1989 |
The Doctor and the Devils
by Dylan Thomas; directed by Patrick Swanson
| | |
|
One-Acts
A Place of Disaffection
by Michael Malak ’89; directed by Larry DeLuca C
Lie Low; Sweet Wind Blow
by Julio Friedman ’88; directed by Per-Gunnar Ostby ’90
uh-uh!
written and performed by The Popular Front for the Salvation of Dramashop
Choose Me
by Peter Parnassa ’90; directed by Barak Yedidia ’89
Parts
by Peter Parnassa ’90 and Alexander Shakar; directed by Michael Malak ’89
| | |
|
Aha!
directed by Alan Brody
| | |
|
An Evening of Provincetown Plays
Woman’s Honor
by Susan Glaspell; directed by Marino D. Tavarez ’89
Enemies
by Neith Boyce and Hutchins Hapgood; directed by Stephen Gisselbrecht ’90
In the Zone
by Eugene O’Neill; directed by Matt McCarty ’89
| | |
|
Three One-Act Plays
Am I Blue
by Beth Henley; directed by Bjoren Davis ’89
Call for Help
by Peter Handke; directed by Robbie Smith G
Playing with Fire
by August Strindberg; directed by Derek Clark ’89
| | |
|
1987
-1988 |
The Marriage of Bette and Boo
by Christopher Durang; directed by Scott Zigler
| | |
|
One-Acts
The Wall
by Julian West G
Oral Fixation
by Daniel Gilly ’85
Seven
by Kirsten Hoyt ’90
| | |
|
The Real Thing
by Tom Stoppard; directed by Robert N. Scanlan
| | |
|
Undone Beckett Done
by Samuel Beckett
Act Without Words II
directed by Kevin Cunningham ’84
Not I
directed by Robert Scanlan
Ohio Impromptu
directed by Julie Theriot ’88
Catastrophe
directed by Robert Scanlan
| | |
|
1986
-1987 |
|
1985
-1986 |
Student Scripts In Progress
Movin’ In
dedicated to David Mamet; concieved, written, and directed by Dottie Dartland ’86, Greg Greeley ’86, Wayne Heller ’86, Kerry O’Neill ’86, and John Pezaris
Mockingbird
by Julia White ’87; directed by Anna Lisa Fear ’86
Social Security
by Kevin Cunningham ’8?; directed by Thomas Darci ’87
Death in the Family
by Andrew Borthwick-Leslie ’86; directed by Julie Theriot ’88
| | |
|
1979
-1980 |
Man and Superman
by George Bernard Shaw; stage adaptation by Joseph Everingham; directed by Robert N. Scanlan; costumes by Linda Martin; sets by William Fregosi; lighting by Robert Resnick; staging by Edward Darna; production dedicated to the memory of Joseph Everingham
| | |
|
1977
-1978 |
You Can’t Take It With You
by George S. Kaufman and Moss Hart; directed by Joseph D. Everingham; costume design by Cecelia Eller; stage and lighting by Edward S. Darna; set designer William Fregosi
| | |
|
1976
-1977 |
|
1975
-1976 |
The Night of the Iguana
by Tennessee Williams; directed by Joseph D. Everingham; set designer William Fregosi; lighting designer Edward Darna; costume designer Cecelia Eller
| | |
|
The Alchemist
by Ben Jonson; directed by Joseph Everingham; set designer William Fregosi; costume designer Cecelia Eller; lighting designer Edward Darna
| | |
|
An Evening of One-Act Plays
supervised by Joseph D. Everingham; assisted by Edward S. Darna, Cecilia Eller, and William Fregosi
Interview
by Jean-Claude van Itallie; directed by Joseph Everingham
Home Free!
by Lanford Wilson; directed by Mitchell Rothstein ’77
| | |
|
An Evening of One-Act Plays
supervised by Joseph D. Everingham; assisted by Cecilia Eller, Edward S. Darna, and William Fregosi
The American Dream
by Edward Albee; directed by David Dreyfuss G
The Madness of Lady Bright
by Lanford Wilson; directed by Tom Mills ’77
| | |
|
1974
-1975 |
An Evening of One-Act Plays
costumes designed by Patricia Hagan; staging by Edward S. Darna; sets designed by Franco Colavecchia
The Physicists
by Friedrich Dürrenmatt; directed by Paul Pangaro
A Phoenix Too Frequent
by Christopher Fry; directed by Joseph Everingham
| | |
|
An Evening of One-Act Plays
supervised by Joseph D. Everingham; assisted by Edward S. Darna, Patricia Hagan, and Franco Colavecchia
Cavalry and The Resurrection
by W. B. Yeats; directed by Normand Lepine S
Bedtime Story
by Sean O’Casey; directed by Kent Stahl ’75
| | |
|
The Skin of our Teeth
by Thornton Wilder; directed by Joseph D. Everingham; set designer Franco Colavecchia; costume designer Patricia Hagan; lighting designer Edward Darna
| | |
|
An Evening of One-Act Plays
produced by Joseph D. Everingham; assisted by E. S. Darna, Patricia Hagan, and Franco Colavecchia; directed by Joseph D. Everingham
Lemonade
by James Prideaux
The Ruffian on the Stair
by Joe Orton
This is the Rill Speaking
by Lanford Wilson
| | |
|
An Evening of One-Act Plays
supervised by Joseph D. Everingham; assisted by Edward S. Darna, Patricia Hagan, and Franco Colavecchia
The Apollo of Bellac
by Jean Giraudoux; adapted by Maurice Valency; directed by Eileen Schuyler
The White Whore and the Bit Player
by Tom Eyen; directed by Tom Mills ’77
| | |
|
An Evening of One-Act Plays
supervised by Joseph D. Everingham; assisted by Patricia Hagan, Franco Colavecchia, and E. S. Darna
Next
by Terrence McNally; directed by David Dreyfuss ’75
Jack, or The Submission
by Eugène Ionesco; directed by Gretchen Megowen ’76
| | |
|
1973
-1974 |
Pygmalion
by George Bernard Shaw; directed by Joseph D. Everingham; set designer Franco Colavecchia; costume designer Patricia M. Hagan; lighting designer Edward S. Darna
| | |
|
Measure For Measure
by William Shakespeare; directed by A. R. Gurney, Jr.; set designer Franco Colavecchia; costume designer Patricia M. Hagan; lighting designer Edward S. Darna
| | |
|
1972
-1973 |
|
1971
-1972 |
Macrune’s Guevara
by John Spurling; directed by Joseph D. Everingham
| | |
|
Arms and the Man
by George Bernard Shaw; directed by Joseph Everingham; sets by William D. Roberts; costumes by Linda Martin; lighting by Edward S. Darna
| | |
|
An Evening of One-Act Plays
supervised by Joseph D. Everingham; assisted by Linda Martin, costumes, W.D. Roberts, sets, and E.S. Darna, staging
Out at Sea
by Slawomir Mrozek; directed by Paul Pangaro ’73
The Sand Castle
by Lanford Wilson; directed by Phillip Bertoni ’72
| | |
|
1970
-1971 |
Ulysses in Nighttown
by James Joyce; dramatized and transposed by Marjorie Barkentin; under the supervision of Padraic Colum
| | |
|
1969
-1970 |
An Evening of One-Act Plays
supervised by J. D. Everingham, Helen Brumby, and Edward Darna
The Madness of Lady Bright
by Lanford Wilson; directed by J. F. Pelegano ’69
Interview
by Jean-Claude Van Itallie; directed by John Whitbeck ’71
| | |
|
1968
-1969 |
An Evening of One-Act Plays
supervised by Michael Murray, Helen Brumby, and Edward Darna
Host
by John T. Nelson ’69; directed by Marc Miller ’69
Ludlow Fair
by Lanford Wilson; directed by Marcia Wilson S
The General Returns from One Place to Another
by Frank O’Hara; directed by Robert Supnik ’69
| | |
|
Drums in the Night
by Bertolt Brecht; directed by Joseph Everingham; assisted by Helen B. Brumby and Edward S. Darna
| | |
|
Good Day and A Collier’s Friday Night
directed by Joseph D. Everingham; assisted by Helen B. Brumby and Edward S. Darna
Good Day
by Emanuel Peluso
A Collier’s Friday Night
by D. H. Lawrence
| | |
|
An Evening of One-Act Plays
supervised by J. D. Everingham, Helen Brumby, and Edward Darna
Jack, or The Submission
by Eugene Ionesco; directed by Marc Miller ’69
The Measures Taken
by Bertolt Brecht; directed by Richard Finberg ’70
| | |
|
1966
-1967 |
Heartbreak House
by George Bernard Shaw; directed by Joseph D. Everingham
| | |
|
An Evening of One-Act Plays
supervised by Joseph D. Everingham, Helen B. Brumby, and Edward S. Darna
The Long Christmas Dinner
by Thornton Wilder; directed by William Zimmerman ’68
At the Hawk’s Well
by William Butler Yeats; directed by Ralph Sawyer ’67
| | |
|
1965
-1966 |
An Evening of One-Act Plays
supervised by J. D. Everingham, Helen Brumby, and Edward S. Darna
Play
by Samuel Beckett; directed by Robert Moore ’68
A Resounding Tinkle
by N. F. Simpson; directed by James Woods ’69
| | |
|
1964
-1965 |
The Way of the World
by William Congreve; staged by Joseph Everingham; assisted by Helen B. Brumby and Edward S. Darna
| | |
|
1963
-1964 |
The Wild Duck
by Henrik Ibsen; staged by Joseph Everingham; sets by Richard Reese ’66; lighting by Alan Hirsch ’66; costumes by John Leide ’65
| | |
|
1962
-1963 |
The Matchmaker
by Thornton Wilder; staged by Joseph Everingham; assisted by Helen Bottomly
| | |
|
1961
-1962 |
Amedee
by Eugene Ionesco; directed by Joseph Everingham; assisted by Helen Brumby; set design by James Dorr; lights by Lawrence Valby; costumes by John Leide
| | |
|
The Entertainer
by John Osborne; music by John Addion; directed by Joseph Everingham
| | |
|
1960
-1961 |
Androcles and the Lion
by George Bernard Shaw
| | |
|
The House with the Column
by Luigi Pirandello
| | |
|
Volpone
by Ben Jonson
| | |
|
1959
-1960 |
Othello
by William Shakespeare
| | |
|
Henry IV
by Luigi Pirandello
| | |
|
1958
-1959 |
The Rivals
by Richard Brinsley Sheridan
| | |
|
An Evening of One-Act Plays
supervised by Professor Joseph D. Everingham and Helen Bottomly
No Grass to Walk On
by Irven Rinard G; directed by Michael Padlipsky ’60
Men Above, Men Beyond
by Jean Pierre Frankenhuis; directed by Mr. Frankenhuis
| | |
|
The Doctor and the Devils
presented by The Poets’ Theatre; sponsored by The MIT Dramashop Celebrity Series
by Dylan Thomas; adapted for the stage by Joseph Everingham; directed by Stephen Aaron; produced by John Ransford Watts
| | |
|
The Alchemist
by Ben Jonson; adapted and directed by Joseph Everingham; assisted by Helen Bottomly
| | |
|
The Apollo of Bellac
by Jean Giraudoux
| | |
|
An Evening of One-Act Plays by Anton Chekov
supervised by Joseph D. Everingham and Helen Bottomly
On the High Road
adapted by J. D. Everingham; directed by Jerry Goldstein ’60
The Brute
directed by Ellery Stone ’59
| | |
|
1957
-1958 |
Him
by e. e. cummings; directed by Prof. Joseph D. Everingham; assisted by Helen Bottomly
| | |
|
An Evening of One-Act Plays
supervised by Professor Joseph D. Everingham and Helen Bottomly
The Best Thing to Do
by David Fuchs ’55; directed by Michael Meeker ’58
A Wife Should Always Sleep In Her Own Bed
by Jean Pierre Frankenhuis ’61; directed by Mr. Frankenhuis and Thomas Sherman ’61
May I Present Miss Inge?
by Regis W. Schultis, Jr. ’57; directed by Donald Silverman ’60
| | |
|
An Evening of One-Act Plays
supervised by Professor Joseph D. Everingham and Helen Bottomly
The Drunken Sisters
by Thornton Wilder; directed by David Lukens ’56
A Phoenix Too Frequent
by Christopher Fry; directed by Michael Meeker ’58
| | |
|
The Tragedy of King Richard the Second
by William Shakespeare; directed by Prof. Joseph D. Everingham; assisted by Helen Bottomly; adapted by Mr. Jerome T. Kilty and Prof. Everingham
| | |
|
A Pound On Demand
| | |
|
1956
-1957 |
The Country Wife
by William Wycherley; adapted and directed by Prof. Joseph D. Everingham; assisted by Helen Bottomly; costumes designed by Helen Bottomly
| | |
|
Barracks Affair
by Irven Rinard
| | |
|
Misalliance
by George Bernard Shaw; staged by Prof. Joseph D. Everingham; scenery and costumes designed by Helen Bottomly
| | |
|
Another Way Out
by Lawrence Langner
| | |
|
1955
-1956 |
The Father
by August Strindberg
| | |
|
1949
-1950 |
|
1943
-1944 |
Holiday
by Philip Barry; directed by Prof. Dean Mattison Fuller
| | |
|
The Man Who Came to Dinner
by George S. Kaufman and Moss Hart; directed by Prof. Dean Mattison Fuller
| | |
|
Our Town
by Thornton Wilder; directed by Prof. Dean Mattison Fuller
| | |
|
1932
-1933 |
Ten Nights in a Bar-room
by William W. Pratt; dramatized from the novel by T. S. Arthur; directed by Prof. Dean M. Fuller
| | |
|
The Pigeon
by John Galsworthy; directed by Prof. Dean Mattison Fuller
| | |
|
1931
-1932 |
|
1930
-1931 |
George Dandin
by Molière; directed by Prof. Dean Mattison Fuller
| | |
|
Marriage
by Nikolai Gogol; directed by Prof. Dean Mattison Fuller
| | |
|
1929
-1930 |
|
1928
-1929 |
|
1927
-1928 |
|
| ? |
Epicoene
by Ben Jonson; adapted and directed by Joseph D. Everingham
| | |
|
