Review of "A Midwife's Tale"
Over the course of 27 years, 18th century midwife Martha Ballard not only attended
816 births, she ministered to an entire Maine community, providing care, comfort and
companionship, and recording her life’s work in a daily diary.
Choreographer Kelley Donovan chose Ballard, a relative of her great grandmother’s
family, as the subject for her new dance “A Midwife’s Tale,” given its world premiere
at Green Street Studios over the weekend. There’s no narrative here, but rather a
gentle wash of images.
To Nick Humez’ lyrical piano score, the eight strong women in white 18th century
dress pursue both solitary and communal activities –holding, caressing, washing,
supporting. They spin repeatedly, jump up and fall down, push forward and pull back.
There is the briefest of circle dances and a serene, layered section near the end
that seems to imply quiet perseverance of body and soul.