 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
 |
|
|||||||||||||
 |
 |
 |
|
|||||||||||
 |
|
|||||||||||||
 |
 |
 |
|
|||||||||||
 |
|
|||||||||||||
 |
 |
 |
|
|||||||||||
 |
|
|||||||||||||
 |
 |
 |
|
|||||||||||
 |
|
|||||||||||||
 |
 |
 |
|
|||||||||||
 |
|
|||||||||||||
 |
 |
 |
|
|||||||||||
 |
|
|||||||||||||
 |
 |
 |
|
|||||||||||
 |
|
|||||||||||||
Ting Foyer, Bldg. 51
Registration and continental
breakfast
Room 345,Bldg. E51
Panel: What is Digital Cinema?
Bart
Cheever, D.FILM Digital Film Festival
Nicholas
Constant, D. Film Digital Film
Festival, Destroying America
Cynthia
Conti and Kurt Lancaster,
MIT Comparative Media Studies Program,
Building a Home Studio and Getting Your Films Online
Break
Room 345,Bldg. E51
Panel: Access
Vilma
Gregoropoulos, Could
Be Worse!
Richard
Rowley, Big Noise Films,
This is What Democracy Looks Like
Angela
Northington, Urban Entertainment
Ting Foyer, Bldg. 51
Bag lunch
Room 345,Bldg. E51
Case Study: Star Wars Fan Cinema
Henry
Jenkins, MIT Comparative Media
Studies, Textual Poachers: Television Fans and Participatory Culture
Evan
Mather, Quentin Tarantino's
Star Wars
Kevin
Rubio, Troops
Room 345,Bldg. E51
Break
Room 345,Bldg. E51
Case Studies: Three Digital Productions
Carlos
Cantu, Alex Chisholm, and
Christa Starr, Can-Do-Home Productions,
Earthen Vessels
Marc Forster, Everything
Put Together
Hans
Uhlig, Industrial Light & Magic
Conference moves to Wong Auditorium, Bldg. 51
Wong Aud., Bldg. 51
Panel: Antecedents
Karen
Ishizuka, Japanese American National Museum
Alexandra
Juhasz, Pitzer College, Women
of Vision
Patty
Zimmermann, Ithaca College, Reel Families: A Social History
of Amateur Film
Ting Foyer, Bldg. 51
Wong Aud., Bldg. 51
