Date Posted
| |
| 10/31/99 | Philip Agre, Growing a Democratic Culture:
John Commons on the Wiring of Civil Society
[2,454 words]
|
| 2/17/00 | Penelope Alfrey, Petrarch's Apes:Originality, Plagiarism and Copyright Principles within Visual Culture
[2,457 words]
|
| 12/19/99 | Luis O. Arata, Reflections about Interactivity
[3,877 words]
|
| 5/10/00 | Constance Balides,
Virtual Spaces and Incorporative Logics:
Contemporary Films As "Mass Ornaments"
[6,281 words]
|
| 12/19/99 | Wendy Bellion, The Mechanization of Likeness in Jeffersonian America
[7,242 words]
|
| 12/19/99 | William Boddy, Redefining the Home Screen:
Technological Convergence as Trauma and Business Plan
[4,156 words]
|
| 1/25/00 | Sharon Cumberland, Private Uses of Cyberspace:
Women, Desire, and Fan Culture
[3,253 words]
|
| 5/10/00 | Ashley Dawson,
Documenting Democratization:
New Media Practices in Post-Apartheid South Africa
[3,253 words]
|
| 2/17/00 | Wendy Dibean and Bruce Garrison, Market Types and Daily Newspapers: Use of World Wide Web Technologies
[8,847 words]
|
| 12/19/99 | Paul Erickson, Help or Hindrance?
The History of the Book and Electronic Media
[6,204 words]
|
| 12/19/99 | Virginia Eubanks, The Mythography of the "New" Frontier
[4,577 words]
|
| 10/31/99 | Oz Frankel, Potholes on the Information Superhighway:
Congress as a Publisher in the 19th Century
[3,535 words]
|
| 12/19/99 | Maureen Furniss, Motion Capture
[3,371 words]
|
| 12/19/99 | Ursula Ganz-Blättler, Shareware or Prestigious Privilege?
Television Fans as Knowledge Brokers
[8,313 words]
|
| 12/19/99 | Lisa Gitelman, How Users Define New Media:
A History of the Amusement Phonograph
[6,663 words]
|
| 12/19/99 | Alison Griffiths, Media Technology and Museum Display:
A Century of Accommodation and Conflict
[5,914 words]
|
| 2/17/00 | John Hartley, The Frequencies of Public Writing:
Tomb, Tome and Time as Technologies of the Public
[8,625 words]
|
| 10/31/99 | Robert Huesca and Brenda Dervin, Hypertext and Journalism:
Audiences Respond to Competing News Narratives
[10,013 words]
|
| 12/19/99 | Andrew Jakubowicz, Discourses of the Social:
Making Multicultural Australia - A Multimedia Documentary
[6,443 words]
|
| 2/1/00 | Tom Kemper, Instant Re-Players - From Sports Fans
to Video Game Players: A Cognitive History
[3,569 words]
|
| 1/25/00 | Matthew Kirschenbaum, The Other End of Print: David Carson,
Graphic Design, and the Aesthetics of Media
[3,148 words]
|
| 10/31/99 | Andreas Kitzmann, Watching the Web Watch Me:
Explorations of the Domestic Web Cam
[4,812 words]
|
| 12/19/99 | Priscilla Coit Murphy, Books Are Dead, Long Live Books
[4,395 words]
|
| 12/19/99 | Angela Ndalianis, Architectures of Vision: Neo-Baroque
Optical Regimes
and Contemporary Entertainment Media
[6,134 words]
|
| 12/19/99 | Mark Pesce, Magic Mirror: The Novel as a
Software Development Platform
[4,911 words]
|
| 12/19/99 | Jeffrey Ruoff, Around the World in Eighty Minutes:
The Travel Lecture Film
[7,092 words]
|
| 12/19/99 | Nicholas Sammond, See You Real Soon:
Imagining the Child in Disney's Cold-War Natural Order
[6,612 words]
|
| 10/31/99 | David Sholle, What is Information?
The Flow of Bits and the Control of Chaos
[7,904 words]
|
| 12/19/99 | Bob Stepno, Happy Valley and Beyond:
Establishing Local Identity for Online News
[3,371 words]
|
| 10/31/99 | Trish Travis, Ideas and Commodities:
The Image of the Book
[2,819 words]
|
| 10/31/99 | Cristina Venegas, Will the Internet Spoil Fidel Castro's Cuba?
[4,192 words]
|
| 12/19/99 | Ingrid Volkmer, International Communication Theory in Transition:
Parameters of the New Global Public Sphere
[2,396 words]
|
| 10/31/99 | Peter Walsh, That Withered Paradigm:
The Web, the Expert, and the Information Hegemony
[3,352 words]
|
