The photograph shows Fritz Goro, right, and me creatively meditating upon
the objects that form the stage property for the photograph setting. On the
left is a large black cabinet that houses the modulator. It provided the
pulse to energize the magnetron. The oscilloscope on the left provides the
trigger to tell the modulator to issue a pulse. The black cable carries
the electric pulse to a transformer on the right that energizes the
magnetron. Goro's camera hangs on the white sheet on the left. The cabinet
on the far right has the controls to monitor the magnetron operating
conditions. The magnetron and blower are at the top. It has another pulse
transformer inside the box. The transformer to which the modulator cable
is connected is a spare. Goro's camera was a twin-lens reflex Rolleiflex,
certainly of pre-war manufacture. It is shown hanging on the left side of
the picture.
Left click on photo to see it in its actual size.