A
writer and director, Thomas F. DeFrantz
founded Slippage: Performance Interventions in Culture and Technology,
a group in residence at MIT that showed new work in 2004, 2005, and
2006. His creative work includes Monk’s
Mood: A Performance Meditation on Thelonious Monk, a solo performance
piece that marries tap dance to digital technology, and Queer Theory!:
An Academic Travesty,
an exploration of literary theory through music, monologue, and dance.
An accomplished tap dancer, he has performed the Morton Gould Tap
Concerto at Tech Night with the Boston Pops conducted by Keith Lockhart,
as well as the Duke Ellington Tap Concerto with the Aardvark Jazz
Orchestra led by Mark Harvey. DeFrantz holds degrees from Yale, the
City University of New York, and NYU, and has taught theater and dance
at Stanford, NYU, and at MIT, where he is Professor of Music
and Theater Arts.
He is the editor of Dancing Many Drums: Excavations in African
American Dance
(Wisconsin University Press, 2002) and author of Dancing Revelations:
Alvin Ailey’s Embodiment of African American Culture (Oxford
University Press, 2004). He organizes the dance theory curriculum for
the Hollins University/American Dance Festival MFA program.. Updated CV available here. . |
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Thomas
F. DeFrantz |