Joan Jonas, Professor
Profile
Work
-Images and Video Clips
-Individual Installations and Exhibitions
-Group Installations
-Performances
-Film and Videography
-Screenings
-Awards, Fellowships, and Grants
Publications
-Exhibition Catalogues
and Books
-Articles and Periodicals
Contact Info
Room: N51-340
617-452-3876
Send e-mail
Exhibition Catalogues and Books
2003
Women, Art, and Technology, ed. Judy Malloy, MIT, 2003.
Video Acts Single Channel Works from the Collections of Pamela and Richard
Kramlich and New Art Trust, ed. Klaus Biesenbach, P.S. 1 Contemporary Art Center,
Long Island City, New York, 2003.
2002
Lines in the Sand, Great Theater of the World, Taipei Biennial,
Taiwan, Bartomeu Marí, and Chia Chi Jason Wang, 2002.
Aquaria, The Fascinating World of Man and Water, Landesgalerie am Oberösterreichischen
Landesmuseum, Linz, Austria, 2002.
Documenta 11_Platform 5: Exhibition catalogue, 2002, Hatje Cantz.
2001
Into the Light, Projection / Interaction: The Projected and Interactive
Image in American Art, 1964–1978, ed. Chrissie Iles , Whitney Museum
of American Art, New York, Harry N. Abrams, Inc., 2001.
Joan Jonas: Performance Video Installation 1968–2000, Galerie der Stadt,
Stuttgart, Germany, 2001, Hatje Cantz.
1999
The American Century: Art and Culture, 1950–2000,
ed. Phillips, Lisa et al, The Whitney Museum of American Art and
W.W. Norton & Company, New York, 1999.
Rush, Michael. New Media in Late-20thCentury Art, Thames and Hudson, London,
England, 1999.
Circa 1968, Museu Serralves, Museu de Arte Contemporânea, Porto, Portugal,1999.
1995
Reconsidering the Object of Art: 1965–1975, eds. Ann
Goldstein and Anne Rorimer, Museum of Contemporary Art, Los Angeles,
California and Cambridge, England, 1995
1994
Joan Jonas: Works 1968–1994, ed. Dorine Mignot, Stedelijk
Museum, Amsterdam, The Netherlands, 1994.
1993
Steiner, M. Berlin Video, Berlin, Germany, n.d.
The First Generation: Women and Video: 1970-1975, ed. Ann-Sargent Wooster,
Independent Curators International, 1993.
1992
Vidéo et Après: La Collection Vidéo
du Musée National d’Art Moderne, ed. Christine van Assche,
Centre Georges Pompidou, Paris, France, 1992.
1991
Video Art, Electronic Arts Intermix, New York, 1991.
1990
Technologies et Imaginaires: Art Cinéma, Art Vidéo,
Art Ordinateur (exhibition catalogue for Rencontres Internationales
Art Cinéma/Vidéo/Ordinateur, Vidéothèque
de Paris, Paris, France), ed. Maria Klonaris and Katerina Thomadaki,
Dis Voir/Astarti, Paris, France, 1990.
Hall, Doug. Illuminating Video: An Essential Guide to Video Art, ed. Sally
Jo Fifer, New York, 1990.
European Media Arts Festival: Osnabrück, September 12–16, 1990,
ed. Eckhard Diesing, Osnabrück, Germany, 1990.
Eye for I: Video Self-Portraits, ed. John G. Hanhardt, Independent Curators
International, 1990.
1988
Video Art: Expanded Forms, ed. John G. Hanhardt, The Whitney
Museum of American Art at Equitable Center, New York, 1988.
1987
The Arts for Television, ed. Kathy Rae Huffman, Museum of
Contemporary Art, Los Angeles, California, Stedelijk Museum, Amsterdam,
The Netherlands, and Tate Gallery, London, England, 1987.
1986
Almhofer, Edith. Performance Art: Die Kunst zu Leben, Böhlau
Verlag, Vienna, Austria, 1986.
1984
Video: A Retrospective 1974–1984, ed. Kathy Rae Huffman,
Long Beach Museum of Art, Long Beach, California, 1984.
Battcock, Gregory and Robert Nickas. The Art of Performance: A Critical Anthology,
New York, 1984.
Joan Jonas: He Saw Her Burning, Videoinstallationen, Videobänder, Zeichnungen,
Berlin Künstlerprogramm des DAAD-Galerie Berlin, Berlin, Germany, 1984.
1983
Roth, Moira. The Amazing Decade: Women and Performance Art
in America, 1970 - 1980, Astro Artz, Los Angeles, California, 1983.
Gruber, Bettina and Maria Vedder. Kunst und Video, Mont Buchverlag, Cologne,
Germany, 1983.
Video as Attitude, Museum of Fine Arts Santa Fe, Santa Fe, New Mexico, 1983.
Joan Jonas, Scripts and Descriptions 1968 – 1982, ed. Douglas Crimp,
University Art Museum Berkeley, Berkeley, California and Stedelijk van Abbemuseum,
Eindhoven, The Netherlands, 1983.
Ars 83 Helsinki, ed. Arkio Tuula, Art Museum of Ateneum Helsinki, Helsinki,
Finland, 1983.
Armando, Bernadette Bour, Joan Jonas, Per Kirkeby: 4 Gäste des Berliner
Künstlerprogramms des DAAD in einer Ausstellung der Landeshauptstadt München
und der Philip Morris GmbH, Berliner Künstlerprogramm DAAD at Kunstlerwerkstatt
München, Munich, Germany, 1983.
1982
Videokunst in Deutschland 1963 – 1982, ed. Wulf Herzogenrath,
Kölnischer Kunstverein, Kunsthalle Hamburg, and Badischer Kunstverien,
Karlsruhe, Cologne, Germany, 1982.
Visions in Disbelief, The 4th Biennial of Sydney, Sydney, Australia, 1982.
Video and Film 1982, Festival for Video and Experimental Film, Munich, Germany,
1982.
Video, Festival for Video and Experimental Film, Munich, Germany, 1982.
’60 - ’80: Attitudes/Concepts/Images, ed. Ad Peterson, Stedelijk
Museum Amsterdam, Amsterdam, The Netherlands, 1982.
National Video Festival, The American Film Institute, Washington, D.C., 1982
Documenta 7, vol. 1, Kassel, Germany, 1982.
1981
Other Realities: Installations for Performance, Contemporary Arts
Museum Houston, Houston, Texas, 1981.
Inespressionismo Americano, Bonini Editore, Genoa, Italy, 1981.
Jahresbericht des Basler Kunstvereins. Kunsthalle, Basel, Switzerland, 1981.
1980
White, Robin. Music, Sound, Language, Theater, Crown Point
Press, Oakland, California, 1980.
Hier et Après/Yesterday and After, Montreal Museum of Fine Arts, Montreal,
Canada, 1980.
Frauen in der Kunst, eds. Gislind Nabakowski, Helke Sander, and Peter Gorsen,
Frankfurt, Germany, 1980.
1979
Goldberg, RoseLee. Performance: Live Art 1909 to the Present,
London, England, 1979.
1978
Inga-Pin, Luciano. Performances: Happenings, Actions, Events,
Activities, Installations, Padua, Italy, 1978.
New Artists Video: A Critical Anthology, ed. Gregory Battcock, New York, 1978.
Well, Jorden. Video Art ’78, Herbert Art Gallery Coventry, Coventry,
England, 1978.
1977
The New Television: A Public/Private Art, eds. Douglas Davis
and Allison Simmons, MIT Press, Cambridge, Massachusetts, 1977.
The Los Angeles International Film Exposition, ed. Filmex Society, The Los
Angeles International Film Exposition, Los Angeles, California, 1977.
Documenta 6, Kassel, Germany, 1977.
1976
Video Art: An Anthology, eds. Beryl Korot and Ira Schneider, New York,
1976.
Video Art: An Overview, San Francisco Museum of Art, San Francisco, California,
1976.
Southland Video Anthology, Long Beach Museum of Art, Long Beach, California,
1976.
1975
Video Art, ed. Institute of Contemporary Art, Philadelphia,
Pennsylvania, The Contemporary Arts Center, Cincinnati, Ohio, and
Museum of Contemporary Art, Chicago, Illinois, 1975.
L ’Art Corporel, Galerie Stadler, Paris, France, 1975.
1974
The New Theater: Performance Documentation, ed. Michael Kirby,
New York, 1974.
Project ’74: Performance–Musik–Demonstration, ed. Marlis
Gruterich, Kunsthalle Köln, Cologne, Germany, 1974.
Impact Video Art, Galerie Impact, Lausanne, Switzerland, 1974.
Americans in Florence, Europeans in Florence: Videotapes Produced by Art/Tapes/22,
ed. Long Beach Museum of Art, Long Beach, California and Centro Di, Florence,
Italy, 1974.
Vergine, Lea. Il Corpo come Linguaggio (La ‘Body Art’ e Storie
Simili), Milan, Italy, 1974.
1973
Aspects de l’Art Actuel, Festival d’Automne,
ed. Galerie Sonnabend, Musée Galliéra, Paris, France,
1973.
1972
Price, J. Video Visions, New York, 1972.
India/America: Musica e Danza, Galleria l’Attico, Rome, Italy, 1972.
Documenta 5, Kassel, Germany, 1972.
