Spring 2020 Vision Lab
In their paper, “Color brings relief to human vision,” Frederick A A Kingdom showed that there are circumstances in which color contrast promotes luminance contrast for visual form judgements by superimposing luminance-defined gratings with right-oblique color-defined gratings that results in a 3-dimensional plaid that appears corrugated in depth. What I found interesting about this illusion and many other bi-partite or multi-partite percepts is that prolonged fixation on these stimuli results in one of the component gratings fading and causes the percept to switch between the two states of either depth perception and just one of the color/luminance-defined gratings.
In this illusion, I am interested in whether continuous chromatic variations of either the background or the objects can cause color adaptation and consequently, have an effect in motion perception and whether these chromatic variations can affect the length of a perceived state in multi-partite illusions.As an attempt to answer this question, I present different illusions on both a gray background and a dynamic color-changing gradient background. The illusions were inspired by some existing illusions, some based on color adaptation, the reverse rotation effect and Moiré patterns.
The first row is a static wheel-like design, one way to look at this first row would be to fixate on the center of the figure on both backgrounds. On the right, do you notice the luminance and sometimes the apparent color changes as the background changes? This might happen because of color adaptation, since the color that is visible continuously leads to desaturation and interruptions by a nearly opponent color counteracts this desaturation. Does the wheel on the right seem to be moving slightly?
The second, third and fourth rows have wheels rotating clockwise. These might create an illusion similar to the wagon-wheel-effect (reverse rotation effect) and each row just varies the color of the wheel. This illusion happens in both backgrounds. Stare at the center of the wheel for some time, in the first few seconds, the lines might slightly change in shape and width. After more time, the will might seem as if it was rotating counter-clockwise. If you are able to perceive this change, notice that the percept of the wheel rotating counter-clockwise is soon taken over by the real clockwise movement of the wheels. Is the amount of time or frequency in which the wheel switches in rotational states affected by the background on the right?
The rest of the rows are more fun, they are examples of Moire patterns. Each row just varies in colors, type of wheel, speed or superimposed location. Here we have two wheels superimposed. Here the background light has to either pass both patterns or be blocked in some cases, which results in multiplication of the two transmittance values and multiplication of patterns with similar spatial frequencies causes different frequencies to appear. In these rows, you don’t have to fixate on anything, you may notice that the two wheels will result in an apparent third pattern in the middle of the two that is moving at an opposite direction, or you might notice the wheels changing in their direction of rotation. As the background changes on the right, you might also notice one of the wheels will draw your attention over the other. Do the two backgrounds have different effects on the patterns or the duration of each pattern state?
References
Brown, R. O., & MacLeod, D. I. (1997). Color appearance depends on the variance of surround colors. Current Biology, 7(11), 844-849.
Kingdom, F. A. (2003). Color brings relief to human vision. Nature neuroscience, 6(6), 641-644.
Link, N. K., & Zucker, S. W. (1987). Sensitivity to corners in flow patterns. Spatial vision, 2(3), 233-244.
Purves, D., Paydarfar, J. A., & Andrews, T. J. (1996). The wagon wheel illusion in movies and reality. Proceedings of the National Academy of Sciences, 93(8), 3693-3697.
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