|  Sunda Kelapa and Taman Fatahillah,
      Jakarta, Indonesia
 Area Conservation and Restoration
 by Li Lian Tan   INTRODUCTION Sunda Kelapa is the ancient port
      town that evolved into present day Jakarta. It represents the
      enduring importance of the sea to the city's vitality and economic
      well being. The area of Taman Fatahillah is a reminder of the
      heyday of Sunda Kelapa as the major trading port of the region
      when the city was under the control of the Dutch East India Trading
      Company (VOC). The area has been under rehabilitation and some
      of the historic buildings restored and reused since the early
      1990s. CONTEXT PhysicalJakarta, the capital
      of Indonesia, is situated on flat land with the Ciliwung River
      running through its center. Sunda Kelapa is the ancient seaport
      situated on the northern edge of the city, facing the Java Sea.
      The harbor is separated from the rest of Jakarta by a coastal
      ring road that makes access inconvenient.
 To the south of Sunda Kelapa
      is the site of the former Dutch settlement of Batavia, which
      was founded in the 17th century and existed until the Japanese
      occupation during World War II. This part of Jakarta still maintains
      the regular grid pattern laid out by the Dutch and several buildings
      from the colonial era remain in use as museums. The boundary of the city is not
      clearly evident, as agricultural land around it is haphazardly
      converted into housing. The morphology of the city does not reflect
      its history, since almost all of the new development has been
      preceded by total demolition of the old structures. It was only during the 1970s
      that conservation of historic buildings, including those of the
      city's colonial heritage, became a significant concern in city
      planning. However, the threat of demolition and redevelopment
      for the sake of monetary gain still exists today. In the mid-1960s, a piece of
      marshland between Sunda Kelapa and the new port was developed
      into a high-income recreation park called Taman Impian Jaya Ancol.
      To the west of Sunda Kelapa, housing was built in Pluit. Both
      projects involved filling in marshland. In the early 1980s, housing
      was built on reclaimed land, which was named Pantai Mutiara,
      next to the Pluit housing. Around the same time as the Pantai
      Mutiara development, Cengkareng International Airport was opened
      on the western end of the Jakarta seafront. This increased land
      values in the area between the airport and the Pluit housing
      and very soon after, a new central business district and housing
      project, Pantai Indah Kapuk was built. Furthermore, since 1992,
      Ancol has been in the process of expanding its facilities in
      phases. All these projects cater to the high-income strata of
      society and include amenities such as golf courses, marinas,
      entertainment, hotels, waterfront housing, high-end retail shops,
      theme parks and open spaces. At latitude 1o N of the Equator,
      Jakarta experiences little variation in temperature throughout
      the year. Temperatures range from about 30  35o C during
      the day to about 25 - 28o C at night. Pollution actually accounts
      for an increase in temperature by about 2 - 3o C. The rainy monsoon
      season begins in November and ends in March. HistoricalHistorical documents
      indicate that a settlement and harbor existed on the site of
      Sunda Kelapa as early as the 5th century, during the Tarumanagara
      Kingdom. There is a centuries-wide gap in the historical record
      and nothing is known of the area's development until the 12th
      century, when Sunda Kelapa was first recorded as the port town
      of the Hindu Kingdom of Sunda. Kelapa means coconuts,
      the port's main export at the time.
 In 1522, the Portuguese signed
      an agreement with the king of Padjadjaran, which allowed them
      to build a trade fortress at Sunda Kelapa. However, in 1527,
      before they were able to build the fortress, the town was taken
      over by Fatahillah, military leader of Demak, an Islamic kingdom
      in Central Java. The town was then renamed Jayakarta, meaning
      glorious or perfect victory, and became a regency under the control
      of the Demak Kingdom. The Dutch set up a base in Banten
      in 1596, and were only allowed to trade in Jayakarta after 1611.
      They obtained a piece of land in the Chinese quarter on the east
      bank and immediately constructed warehouses that were later fortified. In 1619, the Dutch conquered
      Jayakarta, and the fort was enlarged and given the name Kasteel
      Batavia. A new city, named Batavia, was planned and built as
      an elongated grid with canals, consisting of four parts: the
      Kasteel, an eastern quarter, a western quarter and the Voorstad
      (the Chinese quarter), located outside the city wall. The placement
      of the Old Dutch buildings created a square in the middle where
      meetings could be held and people could gather to listen to speeches.
      From it developed the idea of the square as a place for conveying
      ideas to the local population. This square was renamed Taman
      Fatahillah after World War II. (Image - Taman Fatahillah Square) The three-kilometer long Molenvliet
      Canal was dug from the end of the Voorstad to the south, which
      directed the growth of the city along its edge. This led to the
      development of a new suburb on the other end of the canal in
      the 18th century known as Weltevreden. (Image 1 Map of Historical
      Sites in and around the former walled city of the VOC. Area formerly
      inside the walls of Batavia is gray.) (Image 2 Ground of Batavia) Given its accessibility and its
      greener and healthier environment away from the congestion of
      the old city, Weltevreden grew as a residential district and
      later became the new capital of the Dutch administration. Two
      squares were built, and are known today as Lapangan Banteng and
      Lapangan Merdeka or Lapangan Monas. Today, the latter is considered
      the city center of Jakarta. The increase in trading activities
      between Asia and Europe, coupled by the opening of the Suez Canal
      in 1868, led to the building of a bigger port 8 km east of Sunda
      Kelapa. Today, the new port is still the main port that handles
      national and international trade, with Sunda Kelapa serving only
      local trade and fishing industries. (Image 3 Growth of Batavia
      until 1938.) The name, Jakarta (shortened
      from Jayakarta), was first used in the early 20th century by
      Indonesian leaders who were calling for independence. When the
      Japanese invaded Batavia in 1942, they officially renamed the
      city Jakarta from Batavia in the hope of finding an ally in the
      Indonesian people. After the surrender of Japan
      in 1945, Indonesia declared its independence. Jakarta was established
      as the capital city of the Republic of Indonesia. This resulted
      in a huge jump in population from 680,000 before the war to 1,500,000
      in 1949 and an accelerated expansion of the physical size of
      the city. Economic growth and prosperity continued through the
      1970s and 1980s. Suburbs and neighboring satellite towns were
      subsumed into the city of Jakarta, which has ballooned to a population
      of 9 million by 1998. Image 4 Development of Jakarta
 1650
  1840  1950  1980  THE PROJECT Building/NeighborhoodSunda Kelapa is important
      to Jakarta for several reasons; as the location of the city's
      original settlement, as the main port for many centuries, as
      a symbol of the city's endurance through history, and as the
      site of many historic areas and buildings.
 Sunda Kelapa is still used as
      a port but only handles domestic water traffic and supports the
      fishing industry. Since the rest of Jakarta's seafront is taken
      up by high-end developments with limited access, Sunda Kelapa
      is the only portion of the seafront that is open to the public.
      (Image 5 Boats parked at Sunda Kelapa) Taman Fatahillah represents the
      Dutch colonial period in Jakarta's history. The area has evolved
      into a cultural center with major museums located around the
      square. Physical DescriptionSunda Kelapa can be divided
      into four sub-areas, Luar Batang, Pasar Ikan (Fish Market), South
      Sunda Kelapa and the Sunda Kelapa harbor. Some of the historic
      buildings that exist include the Al Aidrus Mosque in Luar Batang,
      the Pasar Ikan, the Look-Out Tower, the Maritime Museum, the
      old warehouses next to the museum, old industries and warehouses
      in southern Sunda Kelapa, and the old warehouses near the harbor.
      (Image 6 Sub-areas of Sunda Kelapa: 1. Luar Batang, 2. Pasar
      Ikan, 3. South Sunda Kelapa, 4. Sunda Kelapa Harbor)
 The Dutch Look-Out Tower was
      built in 1839, and the coral-stone bastion on which it stands
      dates from 1645. The bastion, known as the Culemborg, formed
      part of the old city wall, and once guarded the city's entrance
      from the sea. The actual gateway no longer exists but now forms
      a busy street between a police station and the Museum Bahari.
      (Image 7 - Former city gateway to the sea, outside Museum Bahari,
      with the Look-Out Tower in the background.)
 The Kasteel Batavia, now the Museum Bahari (Maritime Museum),
      with its warehouses and other buildings was constructed in 1652.
      The whole complex has been under reconstruction by the Office
      for Museums and Archaeology since 1983. The city wall in front
      of the museum is all that is left of the walls that surrounded
      Old Batavia in the 17th and 18th centuries.
 Luar Batang means "outside
      the log," and is one of the sub-areas of Sunda Kelapa. The
      name refers to the log that was used to close the mouth of the
      river at night and which was also the site of the customs office.
      The mosque here, built in 1739, is considered a very sacred place
      as it houses the tomb of a famous preacher. Taman Fatahillah consists of
      a square flanked by an imposing two-story building completed
      in 1710, known as the Stadhuis, or City Hall. The City Hall served
      as the seat of administration for the town of Batavia, as a court
      dealing with matters of tax, debts, trade, and licenses, and
      also as a prison. The Stadhuis is now the Historical Museum of
      Jakarta. (Image 8 Taman Fatahillah Square) The nearby Wayang Museum is situated
      on the site of a former church. It was built as the Museum of
      Old Batavia in order to house the collection of stones, furniture,
      and pictures of the time of the Dutch colonization. This collection
      has been moved to the Historical Museum. There is also a baroque
      Portuguese church close by, locally known as Gereja Potugis or
      Gereja Sion. The church was built on 10,000 wooden piles. COMPARISONS The Sunda Kelapa and Taman Fatahillah
      buildings contain many elements of the local architecture, such
      as large overhangs and plentiful natural ventilation. However,
      these areas are also unique in their age and historic value.
      The buildings of the Dutch colonial era resemble the neo-classical
      buildings of Europe but have been adapted to the local climatic
      conditions. Singapore, a former British colony and Malacca, a
      former Portuguese colony, also have similar smatterings of European
      architecture in their cityscapes. CONSERVATION PROGRAM INTERVENTIONS
      1 On the instigation of the Governor
      of Jakarta and a group of concerned citizens, a land-use and
      conservation plan was established. It included historic sites
      to be conserved, residential and home industry sites, recreational
      areas, commercial areas, maritime industry zones, and mixed-use
      areas. Among the four sub-areas, Pasar
      Ikan and its surroundings was considered the top priority as
      it contains many historic buildings and also has commercial potential.
      At the time that the master plan was drawn up, a private investor
      had already acquired some of the land, and was planning to develop
      it. (Image 10 Land-Use Plan) In the Pasar Ikan sub-area, the
      Indonesian National Heritage Trust proposed that redevelopment
      and conservation be based on the vision of reconstructing old
      Jayakarta. The new functions, commercial and recreational, would
      resemble the old functions in Jayakarta, such as were found in
      the "inner area" of Jayakarta (#11 in Image. 11 - Pasar
      Ikan), the market area (#20, #21) and the waterfront area (#27). In the site around the "inner
      area" of Jayakarta, a multi-purpose hall that resembles
      the dalem (palace) would house performances and festivals.
      The square would be an open space that could be used for outdoor
      performances and other cultural events. A mosque would also be
      part of the inner area and a number of buildings that resemble
      old houses for nobility would function as exhibition space and
      host workshops related to the history of the city. The market area is located outside
      the inner area and retains some of its traditional character
      as a fish market while accommodating the functions of a contemporary
      cultural center. (Image 12 Street in Pasar Ikan) The waterfront area would be
      used for water activities such as rowing and sailing and include
      restaurants while still resembling the old waterfront with traditional
      fishing boats. Furthermore, it was proposed
      that linkages with other historical districts be established,
      including the link to Taman Fatahillah where the major museums
      are located. Also, a link with Onrust Island, which had a role
      in Dutch colonial era history, would promote cultural and historical
      tourism. However, one of the concerns
      implicit in the desire to create these linkages is the issue
      of memory and the attitude that Indonesia takes towards its colonial
      heritage. Is it something to be glorified, should it be forgotten,
      or just viewed as a matter of fact? My research did not uncover
      any literature that considered this question, (Image 13) but
      given the fact that a number of Dutch colonial buildings are
      being restored indicating that their value (at least for tourism)
      is appreciated.   THE PLAYERS The government agency of the
      Indonesian National Heritage Trust. (however, not sure of its
      role beyond the initial planning stage.) The development of Jakarta has
      been haphazard with little central planning. The effectiveness
      of the implementation of the master plan is not apparent in the
      city. Most development is driven by profitability. Thus, the
      role of the government and NGOs is minimal and instead, conservation,
      carried out without supervision, is by private investors targeting
      tourist revenue.   Endnotes 1. All information in this section
      is based on a proposed conservation plan for Sunda Kelapa. The
      most recent information found dates back to 1993 and it is unclear
      as to the extent of the execution of the plan.   Bibliography Priatmodjo, Danang. "Urban
      Waterfront Development: Case Studies of Barcelona and Jakarta."
      M.Arch Thesis in Human Settlements, Katholieke Universiteit Leuven,
      Belgium, 1993. Heuken, Adolf. Historical
      Sites of Jakarta. Jakarta: Foundation Cipta Loka Caraka,
      1982. Jayapal, Maya. Old Jakarta.
      Kuala Lumpur: Oxford University Press, 1993. Abeyasekere, Susan. Jakarta:
      A History. Singapore: Oxford University Press, 1987. Khan, Hasan-Uddin. "Some
      Recent Large-Scale Projects in Asia." Continuity and
      Change: Design Strategies for Large-Scale Urban Development.
      Cambridge: Aga Khan Program for Islamic Architecture, 1983. Khan, Hasan-Uddin. "Small
      Scale Restoration Projects in Indonesia, Singapore and Malaysia."
      Adaptive Reuse: Integrating Traditional Areas into the Modern
      Urban Fabric. Cambridge: Aga Khan Program for Islamic Architecture,
      1983.   Illustration Credits Mamta: Li Lian can only give me credits for Images. 4, 6, 10, 11, 13.
      They are all from this thesis listed below. So, please use only
      these pictures on the web page, take the rest out from the text,
      and re-number the ones you leave in so it goes 1, 2, ect. Thanks.
 Priatmodjo, Danang. "Urban
      Waterfront Development: Case Studies of Barcelona and Jakarta."
      M.Arch Thesis in Human Settlements, Katholieke Universiteit Leuven,
      Belgium, 1993.
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