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http://www.nosepilot.com

By Jessica N. Bowles-Martinez

Nosepilot offers no introduction at all, and the sites goal or point is never made clear at any point. Most of my interpretation is based on assumptions of what could possibly explain or justify the sites existence. It appears to be an example of a project that would only be interesting to the person who made it. This highlights the point that the internet provides a forum for people to display their projects and artistic ideas for anyone to have access to if they know where to look, and because of this there is a lot of junk out there.

First there is a face wearing a snorkel and mask floating around the screen and I was not sure where to click for a while. Finally, after mousing over most of the page I realized I needed to click on the eyes to progress to the next part. From there we are taken to what I first interpreted as a long opening video or splash page with no narrative turns out to be the content and actual sole reason for the site. For nearly a minute I kept expecting the animation to give way to perhaps a set of options or an index to navigate the site, but it never happened. The viewer is immediately thrown into scenes that merge in semi-creative ways, like a cauliflower that turns into a bunch of people.

There is one scene after another or slow moving images of people and fruit appearing and disappearing and moving around. After a while there is a continuous stream of people dancing to music going by like they are on a treadmill. The whole thing is very uninteresting and slow and accompanied by muffled music that sounds like it was from an old mono record player. Eventually the page takes on a blue hue and we come to a girl on a fan next to a blue blob that is apparently a slug. A little poem comes up about how the slug is her best friend and they look content. Soon the fan starts whirling about so fast that the girl barely holds onto the fan and the slug flies off. Then it goes to another video that is different in theme in that it doesn't have fruit and people dancing around, but its still a string of long, random, boring scenes. Because of the randomness in both films, the only way I know that these are actually different works is because there are credits between them. In the credits it says the flash is done by "me" but I don't know who "me" is supposed to be and the more I watch this the more bored I get and the less I care to find out.

I am guessing this is supposed to be a montage of images to bring about some sort of message or theme through symbols and metaphors, but its too slow to hold my attention, and its not visually very interesting so I keep losing track of what is going on. In fact, if I did not have to watch this for class I can assure you that I would not get past the first little film.

The end of the second film shows a big yellow "SO" which leads me to think maybe you are supposed to watch this and have the reaction I had of, "So what! You might know flash but this sucks." If I was with the creator in person I would just look at him, nod my head, and say "So?" For I certainly don't get the point of it. After a bit of impatient mousing over the "So" it says that I have two choices it lets me either see the animation again in French or do something else. Not knowing French and not wanting to watch this again I go for the "do something else" option. A small window opens showing a weird mechanical contraption and a man attached to this complex pointless machine. Maybe that is the metaphor, then, the whole flash animation is represented by the pointless and absurd machine that just takes up space and wasted effort to make. And the man trapped in it is supposed to be me or any other unfortunate web surfer who stumbled upon this site. After this realization I am amused for the first time by this site and begin clicking my mouse around randomly to find out if the contraption does anything. After I press enough things a screen comes up asking for support or contributions to the site. The form the contributions should take is unclear, though I suspect they want money, and if not that then art submissions, or perhaps both.

My attention span when I am online is much shorter than when I am watching television. This is especially so with completely passive forms of entertainment on my computer. Perhaps if this was on television and I was expecting to "veg out" for a solid block of time this would be acceptable, but I have different expectations for things online. The long spans of non-interaction also means that on the rare occasion that the viewer does have to click on something to continue along its not obvious at all and it creates some annoying lag.

Not until the promotion at the end with the machine, which has interesting reactions to my mousing over it and clicking on various parts, does the format make much deviation from that of television or other already existent static forms of entertainment. What is odd is that commercial mainstream sites and shows usually copy television in content and format, but this site, despite its traditional format, seems to want to achieve something on the avant garde level in its content. It looks a bit like a surreal avant garde film from the 70s but by mimicing and being restrained by this similarity to another medium it is not taking advantage of what is available in a digital medium.