On first glance, I noticed two things.
One, as an African American, I have alot of problems with "Warrior Marks".
Not to get into a long discussion of it here, but I question its
perspective in "speaking for" African women.  Alice Walker may be a
wonderful writer and person, but she does not necessarily understand all of
the issues she purports to address in this film.  Though technically much
"rougher" I would recommend "Fire Eyes" by Soraya Mire, a Somalian woman
filmmaker who endured(s) female genital mutilation.
To add to the list:
Hyenas - Mambety available from Cal. Newsreel
Comments:  I know this is a wonderful film, but I am always amazed at how
well all my students respond to this film.  Provokes interesting
discussions on contemporary African society, folklore, gender roles and
relationships.
Ceddo - Sembene, available from New Yorker
Comments: I know that this film is long, and sometimes I don't screen the
whole thing in class; but this is one of the best films that illustrate the
tension between Islam, the slave trade and traditional African cultures.
Comment on one from list:
Sankofa - Gerima, available from Mypheduh
Comments: To be blunt: This is a hard film for students.  White students
think it's "too angry".  It is a very emotional film for Black students
(many folks including myself often weep with and at all or some of the
film). Very hard to discuss immediately after screening. BEST ADVICE:
Prepare students before you screen this one.  You'll get great, thought
provoking discussions if you put historical events into context when
showing this film. A good companion piece is Zajota and the Boogie Spirit
by Ayoka Chenzira.
>Originally from: <owner-african-cinema-conference@xc.org>
>Originally dated: Wed, 22 Oct 97 08:28:00 PDT
>
>cross posted from owner-h-afrlitcine
>
> From: David Wiley <wiley@pilot.msu.edu>
>
> The African Studies Center Michigan State will hold a workshop on "African
> Film and Videotape in the Arts and Humanities Curriculum"  on November 
6-8,
> 1997.   A second workshop in March, 1998 will concern "African Film and
> Videotape for Language Instruction" (French, Port., African languages,
> etc.).
>
> As we assemble film descriptions and reviews for the workshop, we are
> wondering what cinema and video programs others in the teaching community
> are using for introducing Africa.
>
> More specifically, what cinema, films, and videos are most useful in
> courses to illustrate:
>
> 1) African History and Folklore
>        - pre-colonial (kingdoms, segmentary lineage societies, etc.)
>        - colonial (British, French, Portuguese, German, and settler)
>        - contemporary African history
>        - Africa in global history
>
> 2) African and Comparative Literature - in English, French, Portuguese,
> Arabic, other
>
> 3) African Music - "traditional" and contemporary
>
> 4) African Arts - all genres
>
> 5) African Religion and Philosophy - "African religions," Christianity,
> Islam, Independency, etc.
>
> When you mention a film or cinema production, say what you find it most
> useful to illustrate as well as any weaknesses.
>
> We are planning to reference the following African cinema, but will share
> any other ideas from your comments with those at the workshop.
>
>              _Camera d'Afrique_          _Sankofa_
>              _In Darkest Hollywood_      _Asientos_
>              _La Vie Est Belle_          _Camp de Thiaroye_
>              _Warrior Marks_             _Wend Kuuni_
>              _Women with Open Eyes_      _Yaaba_
>              _These Hands_               _Yeelen_
>              _Monday's Girls_            _Keita_
>              _Selbe_                     _Quatier Mozart_
>              _Finzan_                    _Aristotle's Plot_
>              _Emitai_                    _Last Angel of History_
>              _Battle of Algiers_         _Handsworth Songs_
>              _Sambizange_                _Touki Bouki_
>              _Deluge_                    _Allah Tontou_
>              _Harvest:  3,000 Years_     _Lumumba_
>
> Conference Details
>
> The Center will  welcome faculty, K-12 teachers, and graduate students to
> the workshop.  It is designed to strengthen and improve undergraduate
> instruction by providing college & university faculty with methods and
> strategies for incorporating high quality film and video on Africa into
> courses in the arts and humanities.  Anyone interested in attending the
> workshop should contact John Metzler <metzler@pilot.msu. edu> or Carmela
> Garritano <garritan@pilot.msu.edu> at the Center, (517) 353-1700.
>
> We look forward to your suggestions, and we shall credit your
>contributions.
>
> Sincerely,
> Dave Wiley, John Metzler
>
>    *****     *****     *****     *****     *****     *****
>
>        David Wiley, Professor of Sociology and
>                Director, African Studies Center,
> 100 CIP, Michigan State University,  East Lansing, MI  48824-1035
> Phone ( Area 517): 353-1700  -  Fax:  432-1209  -  Home:  332-0333
 --
Zeinabu irene Davis
Associate Professor
Northwestern University
Department of Radio-TV-Film
1905 Sheridan Road
Evanston, IL 60208-2270
E-mail: z-davis@nwu.edu
Phone: 847-467-1164
Fax: 847-467-2389
In-Reply-To: 199710231441.HAA18038@abraham.xc.org