Designed and folded August 2022
Paper: 60cm banana paper
My first time coming back to hex pleating since the rattlesnake from over a year before. Dragons are quite a classic subject for origami designs, but up until now for some reason I never got around to it--so of course I had to go all in. For those of you who don't know, hex pleating means that the structures are all based on an isometric (equilateral triangles) grid rather than on a normal square grid (bp).
From a technical standpoint, this design utilizes 3 techniques beyond basic hp
(which is by no means "basic") that makes it stand out. First, it uses hp ridge
squashes to create the horizontal scale pleats; then it uses complex level shifters
to create the vertical scale pleats, that together form the grid of scales. Both
of these techniques are much more efficient than what bp designs usually use to
create scales--they are also arguably easier to fold, as you can collapse the
base first and then construct the scales. And third, this design does not shape
the scales but rather leaves them as intersecting pleats, which if you carefully
distort, you can use to control the 3d curvature of the body (ie, bulges and saddle points).
This was my first real foray into axial hex pleating (the rattlesnake,
mermaid, and baby elephant were all a bit different) and therefore was quite a roller
coaster in a way that I had never experienced with any previous design. As I told/vented
to my friends throughout these two weeks of design/folding grind, I had never felt
as frustrated by origami as I felt some days trying to wrestle with these 60 degree
structures--on other days, I had never felt so excited when things clicked, nor as
hopeful for the future of what hex pleating has in store for the origami world.