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IAP 2004 Activity


Poetry Lab: Hypothesis, Experiment, Outcome
Maureen N. McLane
Tue Jan 27, Thu Jan 29, 01-02:30pm, 2-146

Enrollment limited: first come, first served
Limited to 25 participants.
Participants requested to attend all sessions (non-series)

What is poetry? How might we think about, find, read, listen to, or compose poetry in a multi-media landscape? This workshop opens these questions in order to pursue a communal investigation. Open to poets, performers, composers, and to anyone merely curious, this intensive seminar will feature the close listening, reading, talking, performing, and perhaps screening of poems and multiply-mediated poetic works, ranging from the "chance" compositions of John Cage to the United States of Poetry CD to 18th-century broadside ballads to forms of collective composition such as the Japanese renga. At the conclusion of our Lab, all researchers will have sketched, produced, or at least pondered a work of their own, composed singly or in groups.
Contact: Susan Stapleton, 14N-207, 253-5038, susanj@mit.edu
Sponsor: Comparative Media Studies
Latest update: 29-Oct-2003


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IAP Office, Room 7-104, 617-253-1668 | Comments and questions to: iap-www@mit.edu | Last update: 21 August 2003