Dis-Armor is an instrument that focus exclusively on the psycho-social situation of school-age youth, and refer specifically to the cultural and historical traditions of Japan. play video
Krzysztof Wodiczko, Adam Whiton, Sung Ho Kim, Jurek Stypulkowski, Brooklyn Model Works
Dis-Armor is the newest in a series of psychocultural prosthetic equipment designed to
meet the communicative need of the alienated, traumatized, and silenced residents of
today's cities. It connects contemporary research in two fields: wearable communi-
cation technology and prosthetics. In doing so, it counters the dichotomy of the present
explosion in communication technology and rampant cultural miscommunication.
Dis-Armor offers an opportunity for indirect, mediated communication by allowing its
users to speak through their backs. LCD screens, worn on the back, display live images of
the wearer's eyes transmitted from cameras installed in the helmet covering the face.
A speaker positioned below the LCD screens amplifies the user's voice. Attached to the
helmet is a rearview mirror, alternatively, a rearview video camera, monitor, microphone,
and headphone. These permit the user to see the face and hear the words of the spectator/interlocutor standing behind. Wireless video equipment installed in the helmet
further allows two users to work in tandem, showing each other the other's eyes and
broadcasting to each the other's voice.
Specifically, Dis-Armor is an instrument designed to focus on the psychological difficulties
of Japanese high school students and "school refusers," who live in silence and lack
facial expression. It uses the ancient traditions of arms making to conceive of a playful
alternative to intimidating face-to-face communication. It is designed for particular
individuals among urban youth who have survived overwhelming life events (violence,
neglect, and abuse) and who now wish to overcome their false sense of shame, to break
their silence, and to communicate their experience in public space.
The Dis-Armor instruments are part of the permanent collection of the Hiroshima City Museum of Contemporary Art in Hiroshima, Japan.