An intensive workshop in baroque dance (European ballroom and theatrical dance of the late 17th and early 18th centuries). Classes in technique, repertoire, and dance notation, with opportunities for independent projects.
The workshop will be held at Integrarte studios in Jamaica Plain, Boston.
Further information will be available shortly. For information about last summer's workshop, please follow this link.
This course is for students who have a serious interest in baroque dance. Experienced baroque dancers are welcome, as are dancers and dance teachers from other dance genres, such as ballet or modern dance, or musicians who have had some dance training. No prior experience with early dance or with dance notation is required, but some dance background is essential. Classes may be split into separate groups to accommodate students’ interests and abilities.
Ken Pierce trained in ballet and modern dance, studying on scholarship at both the American Ballet Theatre School and the Merce Cunningham studio. He has specialized in early dance—especially, late-Renaissance and Baroque dance—for the past three decades, as choreographer, reconstructor, performer, and teacher. Companies he has performed with include the Court Dance Company of New York, the New York Baroque Dance Company, Ris et Danceries (Paris), Danse Baroque Toronto, and the baroque dance trio Hémiole (Paris), of which he was a co-founder. He directs his own company, the Ken Pierce Baroque Dance Company, for which he has choreographed or reconstructed dances for performances with Tafelmusik, Portland Baroque Orchestra, Concerto Copenhagen, The King’s Noyse, Handel & Haydn Society, and the Boston Early Music Festival. Choreographic credits include dances for Les Élémens, Les Festes d’Hébé, Tirsi e Clori, and les Festes de l’Amour et de Bacchus; King Arthur at the Boston Early Music Festival, and such twentieth-century premières as Le Carnavale Mascarade; Les Plaisirs de Versailles, with Ex Machina Baroque Opera Ensemble; the masque Oberon, at Case Western Reserve University; and le Mariage de la Grosse Cathos at the Amherst Early Music Festival. He was assistant choreographer for Quelques pas graves de Baptiste, Francine Lancelot’s baroque-style piece for the Paris Opera Ballet, whose cast included Rudolph Nureyev. Mr. Pierce has taught at summer dance and music workshops in the U.S. and abroad. He directs the early dance program at the Longy School of Music of Bard College (Cambridge), and teaches classes and workshops at the Integrarte studio in Boston.