Illustrated

Contemplation Sutra

(9-15)

Illustrations from the Taima Mandala

Contemplation of the setting sun and water

[9] The Buddha said to Vaidehi, "You and other sentient beings should concentrate and, with one-pointed attention, turn your thoughts westward. How do you contemplate? All sentient beings [342a] except those born blind--that is, all those with the faculty of sight--should look at the setting sun. Sit in the proper posture, facing west. Clearly gaze at the sun, with mind firmly fixed on it; concentrate your sight and do not let it wander from the setting sun, which is like a drum suspended above the horizon. Having done so, you should then be able to visualize it clearly, whether your eyes are open or closed. This is the visualizing of the sun and is known as the first contemplation. To practice in this way is called the correct contemplation, and to practice otherwise is incorrect."

[10] The Buddha said to Ananda and Vaidehi, "After you have accomplished the first contemplation, next practice visualization of water. Envision the western quarter as entirely flooded by water. Then picture the water as clear and pure, and let this vision be distinctly perceived. Keep your thoughts from being distracted. After you have visualized the water, envision it becoming frozen. After you have visualized the ice as transparent to its depth, see it turning into beryl. When you have attained this vision, next imagine that the beryl ground shines brilliantly, inside and out, and that this ground is supported from below by columns, which are made of diamond and the seven jewels and hung with golden banners. These columns have eight sides and eight corners, each side being adorned with a hundred jewels. Each jewel emits a thousand rays of light, each ray in turn having eighty-four thousand colors. As they are reflected on the beryl ground, they look like a thousand kotis of suns, so dazzling that it is impossible to see them in detail.
"On this beryl ground, golden paths intercross like a net of cords. The land is divided into areas made of one or the other of the seven jewels, so the partitions are quite distinct. Each jewel emits a flood of light in five hundred colors. The light appears in the shape of a flower or a star or the moon; suspended in the sky, it turns into a platform of light, on which there are ten million pavilions made of a hundred jewels. Both sides of this platform are adorned with a hundred kotis of flowered banners and innumerable musical instruments. As eight pure breezes arise from the light and play the musical instruments, they proclaim the truth of suffering, emptiness, impermanence and no-self. This is the visualizing of the water and is known as the second contemplation.

Contemplation of the ground and the trees

[11] "When you have attained this contemplation, visualize each object quite clearly without losing the image, whether your eyes are closed or open. Except when sleeping, always keep it in mind. To practice in this way is called the correct contemplation, and to practice otherwise is incorrect."
The Buddha said to Ananda and Vaidehi, "When the visualization of the water has been accomplished, it is called the general perception of the ground of the Land of Utmost Bliss. If you attain a state of samadhi, you will see this ground so clearly and distinctly that it will be impossible to describe it in detail. This is the visualizing of the ground and is known as the third contemplation."
The Buddha said to Ananda, "Keep these words of the Buddha in mind, and expound this method of visualizing the ground for the benefit of the multitude of future beings who will seek emancipation from suffering. If one has attained a vision of the ground of that land, the evil karma which one has committed during eighty kotis of kalpas of Samsara will be extinguished, and so one will certainly be born in the Pure Land in the next life. Do not doubt this. To practice in this way is called the correct contemplation, and to practice otherwise [342b] is incorrect."

[12] The Buddha said to Ananda and Vaidehi, "When you have accomplished visualization of the ground, next contemplate the jewelled trees. This is how to do so. Visualize each one and then form an image of seven rows of trees, each being eight thousand yojanas high and adorned with seven-jewelled blossoms and leaves. Each blossom and leaf has the colors of various jewels. From the beryl-colored blossoms and leaves issues forth a golden light. From the crystal-colored issues forth a crimson light. From the agate-colored issues forth a sapphire light. From the sapphire-colored issues forth a green pearl light. Coral, amber and all the other jewels serve as illuminating ornaments. Splendid nets of pearls cover the trees. Between these seven rows of nets covering each tree there are five hundred kotis of palaces adorned with exquisite flowers, like the palace of King Brahma, where celestial children naturally dwell. Each of these children wears ornaments made of five hundred kotis of Shakra-abhilagna-mani-gems, which light up a hundred yojanas in all directions, like a hundred kotis of suns and moons shining together, and so it is impossible to describe them in detail. Manifold jewels intermingle, producing the most beautiful colors.
"Rows of these jewelled trees are evenly arranged, and their leaves are equally spaced. From among the leaves appear wonderful blossoms which spontaneously bear fruits of seven jewels. Each leaf is twenty-five yojanas in both length and breadth. Like the celestial ornaments, the leaves are of a thousand colors and a hundred patterns. These trees have marvelous blossoms which are the color of gold from the Jambu River and spin like fire-wheels among the leaves. From these blossoms appear various fruits, as from Shakra's vase, and from the fruits issue forth great floods of light, which transform themselves into banners and innumerable jewelled canopies. Inside the jewelled canopies can be seen reflections of all the activities of the Buddha throughout the universe of a thousand million worlds. The Buddha-lands in the ten quarters are also reflected in them.
"After you have seen these trees, visualize each detail in order: the trunks, branches, leaves, blossoms and fruits, and let your vision of all of them be clear and distinct. This is the visualizing of the trees, and is called the fourth contemplation. To practice in this way is called the correct contemplation, and to practice otherwise is incorrect."

Contemplation of the ponds, various objects, and the lotus-throne

[13] The Buddha said to Ananda and Vaidehi, "When you have accomplished visualization of the trees, next contemplate the ponds. This is how to do so. In the Land of Utmost Bliss, there are ponds of water possessing eight excellent qualities, each made of seven jewels which are soft and pliable. The water, springing from a wish-fulfilling king-mani-gem, forms fourteen streams. Each stream is the color of the seven jewels. Its banks are made of gold and its bed strewn with diamond sand of many colors. In each stream there are sixty kotis of lotus-flowers of seven jewels, which are round and symmetrical, measuring twelve yojanas in diameter. The water from the mani-gem flows among the flowers and meanders between the trees. As it ripples, it produces exquisite sounds, [342c] which proclaim the truths of suffering, emptiness, impermanence, no-self and of the Paramitas. Its sound also praises the physical characteristics and marks of the Buddhas. The king of wish-fulfilling mani-gem emits a splendid golden light, which transforms itself into birds with the colors of a hundred jewels. Their songs are melodious and elegant, constantly praising the virtue of mindfulness of the Buddha, the Dharma and the Sangha. This is the visualizing of the water possessing eight excellent qualities, and is known as the fifth contemplation. To practice in this way is called the correct contemplation, and to practice otherwise is incorrect."

[14] The Buddha said to Ananda and Vaidehi, "In each region of this jewelled land, there are five hundred kotis of jewelled pavilions, in which innumerable devas play heavenly music. There are also musical instruments suspended in the sky, which, like those on the heavenly jewelled banners, spontaneously produce tones even without a player. Each tone proclaims the virtue of mindfulness of the Buddha, the Dharma and the Sangha. When this contemplation has been accomplished, it is called the general perception of the jewelled trees, jewelled ground and jewelled ponds of the Land of Utmost Bliss. This is a composite visualization and is called the sixth contemplation.
"Those who have perceived these objects will be rid of extremely heavy evil karma which they have committed during innumerable kalpas and will certainly, after death, be born in that land. To practice in this way is called the correct contemplation, and to practice otherwise is incorrect."

[15] The Buddha said to Ananda and Vaidehi, "Listen carefully, listen carefully and ponder deeply. I will expound for you the method of removing suffering. Bear my words in mind and explain them to the multitude of beings."
When these words were spoken, Amitayus appeared in the air above, attended on his left and right by the two Mahasattvas, Avalokiteshvara and Mahasthamaprapta. So brilliant was their radiance that it was impossible to see them in detail. They could not be compared even with a hundred thousand nuggets of gold from the Jambu River.
After she had this vision of Amitayus, Vaidehi knelt down in worship at Shakyamuni's feet and said to him, "World-Honored One, through your power I have been able to see Amitayus and the two Bodhisattvas, but how can sentient beings of the future see them?"
The Buddha said to Vaidehi, "Those who wish to see that Buddha should form an image of a lotus-flower on the seven-jewelled ground. They visualize each petal of this flower as having the colors of a hundred jewels and eighty-four thousand veins like a celestial painting, with eighty-four thousand rays of light issuing forth from each vein. They should visualize all of these clearly and distinctly. Its smaller petals are two hundred and fifty yojanas in both length and breadth. This lotus-flower has eighty-four thousand large petals. Between the petals there are a hundred kotis of king-mani-gems as illuminating adornments. Each mani-gem emits a thousand rays of light which, like canopies of the seven jewels, cover the entire [343a] earth.
"The dais is made of Shakra's pendent mani-gems and is decorated with eighty thousand diamonds, kimshuka-gems, brahma-mani-gems and also with exquisite pearl-nets. On the dais four columns with jewelled banners spontaneously arise, each appearing to be as large as a thousand million kotis of Mount Sumerus. On the columns rests a jewelled canopy similar to that in the palace of the Yama Heaven. They are also adorned with five hundred kotis of excellent gems, each emitting eighty-four thousand rays shining in eighty-four thousand different tints of golden color. Each golden light suffuses this jewelled land and transforms itself everywhere into various forms, such as diamond platforms, nets of pearls and nebulous clusters of flowers. In all the ten directions it transforms itself into anything according to one's wishes, and performs the activities of the Buddha. This is the visualizing of the lotus-throne, and is known as the seventh contemplation."
The Buddha further said to Ananda, "This majestic lotus-flower was originally produced by the power of the Bhiksu Dharmakara's Vow. Those who wish to see the Buddha Amitayus should first practice this contemplation of the flower-throne. In doing so, do not contemplate in a disorderly way. Visualize the objects one by one -- each petal, each gem, each ray of light, each dais and each column. See all of these as clearly and distinctly as if you were looking at your own image in a mirror. When this contemplation is accomplished, the evil karma which you have committed during five hundred kotis of kalpas of Samsara will be extinguished, and you will certainly be born in the Land of Utmost Bliss. To practice in this way is called the correct contemplation, and to practice otherwise is incorrect."

Go to  Next File; return to Sukhavati-Index; Index