MIT Comparative Media Studies
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MIT Comparative Media Studies

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Thinking Across Media

To understand the true complexity of contemporary media we must improve our understanding of the interrelationships among many different technologies and media environments. Contemporary trends, including the digital revolution, horizontal integration, technological convergence, cultural convergence, and globalization, mandate a comparative approach to media systems.

The Digital Revolution -- From how we bank to how we date, new media are reshaping contemporary experience and the ways we think about work, home, education, politics, public policy, and community.

Horizontal Integration -- Contemporary media companies hold interest across many sectors of the entertainment and news industries, raising questions about intellectual property, competition, and monopolies.

Technological Convergence -- Industry mergers and dramatic technological developments are creating an environment in which all primary media -- from television to the telephone -- will be accessed via a single device, creating new forms of interaction across and among media.

Cultural Convergence -- We are increasingly adept as consumers and citizens at using one medium in relation to another, choosing which technology is best to receive or transmit a particular form of information, and transforming media content to better express our own ideas.

Globalization -- Advanced telecommunications and the worldwide expansion of media markets create an urgent need to understand our emerging "global media culture," the cross-pollination of national and international cultural traditions, and the new styles and genres developing in this context.

A Comparative Approach -- When studying media we need to consider the relationships across media forms. Using a comparative approach we can begin to see:

  • How one medium displaces another. Consider the move from hand-written manuscripts to printed books).
  • How one medium borrows from the traditions and conventions of another. Think about the complex links among film, theater, literature, painting, and music.
  • How intellectual property migrates across various media over time. Consider the adaptation of Shakespeare by each emerging medium, as well as the cross-media exploitation of Star Trek by media conglomerates.
  • How the interactions among multiple media technologies shape the flow of information in a culture. On any given day, note the way contemporary news is communicated via newspapers, magazines, radio and television networks, and the Internet.

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