Summary

Alongside Edgar Allan Poe in America, Britain’s Wilkie Collins stands as the inventor of the modern detective story. The Moonstone introduces all the ingredients: a homey, English country setting, and a colorfully exotic background in colonial India; the theft of a fabulous diamond from the lovely heroine; a bloody murder and a tragic suicide; a poor hero in love with the heroine but suspected of the crime, who can’t remember anything about the night the jewel was stolen; assorted friends, relatives, servants, a lawyer, a doctor, a sea captain—suspects, all; and, most essentially, a bumbling local policeman and a brilliant if eccentric London detective. Adding spice to the recipe are unexpected twists, a bit of dark satire, a dash of social comment, and an unusual but effective narrative structure—eleven different voices relate parts of the tale, each revealing as much about himself (and, in one case, herself) as about the mystery of the missing Moonstone. Filled with suspense, action, and romance, The Moonstone is as riveting and intoxicating today as it was when it first appeared more than a century ago.

About the Author

William Wilkie Collins, or Wilkie as he was known to his friends and readers, was born in London's Marylebone where he lived more or less continuously for 65 years. Today he is best known for The Moonstone (1868), often regarded as the first true detective novel, and The Woman in White (1860), the archetypal sensation novel. During his lifetime, however, he wrote over thirty major books, well over a hundred articles, short stories and essays, and a dozen or more plays.

He lived an unconventional, Bohemian lifestyle, loved good food and wine to excess, wore flamboyant clothes, travelled abroad frequently, formed long-term relationships with two women but married neither, and took vast quantities of opium over many years to relieve the symptoms of ill health. Collins's circle of friends included many pre-eminent figures of the day. He knew the major writers, particularly Charles Dickens with whom he regularly collaborated, as well as a host of minor novelists. His friends and acquaintances included some of the foremost artists, playwrights, theatrical personalities, musicians, publishers, physicians and society figures of the time. Collins's unorthodox lifestyle reveals a cynical regard for the Victorian establishment. This view is reflected in his books together with a sense of humour and a profound understanding for many of the then prevailing social injustices.