Li Ang
Interpretations
The Li Ang Archive, an on-going blog about Li Ang in English developed by National Chung Hsing University Research Center for Humanities and Social Sciences
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Baron, James. "The Many Faces of Taiwan," book review of Chia-rong Wu's Remapping the Contested Sinosphere with a discussion of Li Ang's Visible Ghosts. Posted online at the Taipei Times, Mary 19, 2022.
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———Hsing-pieh yueh-chieh (Gender Crossing). Taipei: Lienho wenshueh, 1995.
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Chen, Ya-chen. "Qian niang de shou ru xiuting, bieren yenyu buke ting: Li Ang Shafu zhong de xing nuedai xing huanyu yu xing yayi" (I lead my darling girl by holding her hands into her chamber, pay no heed to what others say: sadomasochism, jouissance, sexual oppression in Li Ang's The Butcher's Wife). (with an interview with Li Ang in Taiwan). Dangdai (Con-Temporary) 187 (March 2003).
———“Taiwanese Communist Feminist, Xie Xuehong: Li Ang’s Literary Portrait of Xie Xuehong’s Pre-1949 Feminist Activism in Taiwan.” American Journal of Chinese Studies (October 2012), 19 (2): 119-126.
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Chen, Zhonming. "Theorising about New Modes of Representation and Ideology in the Postmodern Age: The Practice of Margaret Atwood, and Li Ang." Canadian Review of Comparative Literature/Revue Canadienne de Littérature Comparée (September 1994), 21(3):346, 351, 354.
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Chien, Ying-Ying. “From Utopian to Dystopian World: Two Faces of Feminism in
Contemporary Taiwanese Women's Fiction," World Literature Today, Vol. 68, No. 1 (Winter, 1994), 35-42.
——— "The Impact of American Feminism on Modern Taiwanese Fiction by
Women." Visions in History: Visions of the Other. Ed. Earl Miner, Toru Haga, Gerald Gillespie, Margaret Higonnet, and Sumie Jones. Tokyo: International Comparative Literature Association, 1995. 631-36.
——— "Women Crossing the Wild Zone: Sexual/Textual Politics in the Fiction of Ding Ling and Li Ang." Fu Jen Studies 28 (1995): 1-17.
Chiu, Kuei-fen. “The Feminine ‘Regional Imagination’: A Preliminary Study of Contemporary Fiction by Female Authors in Taiwan.” Trans. Fan Pen Chen, Taiwan Literature English Translation Series(台灣文學英譯叢刊) Number 11 (2002. 07), Eds. Kuo-ch’ing Tu and Robert Backus. Pp. 185~208.
———"Identity Politics in Contemporary Women's Novels in Taiwan."
Feminism/Femininity in Chinese Literature. Ed. Peng-hsiang Chen and Whitney Crothers Dilley. Amsterdam: Rodopi, 2002. 67-86.
———"Taking Off: A Feminist Approach to Two Contemporary Women's Novels in Taiwan." Tamkang Review: A Quarterly of Comparative Studies Between Chinese and Foreign Literatures 23.1-4 (1992): 709-33.
———“Women Writers and Taiwan Literary History,” Chung-wai Literary Monthly,
27.9 (1999), 11-13.
——— “The Subaltern Woman’s Voice and the (Film)making of Modern Taiwan.” In kwok-kan Tam and Terry Siu-han Yip, eds., Gender, Discourse and the Self in Literature: Issues in Mainland China, Taiwan and Hong Kong. Hong Kong: The Chinese University Press, pp. 165-183.
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Dell, Sylvia. Chinesische Gegenwartsliterature asu taiwan: Die Autorin Li Agn: Erzahlprosa und Rezeption bis 1984. Bochum: Brockmeyer, 1988.
Fan, Ming-ju. "From Homogeneity to Heterogeneity: Women's Literature in Contemporary Taiwan." The Stockholm Journal of Asian Studies 10 (1999): 215-22.
——— The Changing Concepts of Love: Fiction by Taiwan Women Writers. PhD Diss. Madison: U of Wisconsin-Madison, 1994.
Gates, Hill. “The Commoditization of Chinese Women.” Signs 14.4 (Summer 1989): 799-832.
Goldblatt, Howard. "Sex and Society: The Fiction of Li Ang." In Howard Goldblatt, ed. Worlds Apart: Recent Chinese Writing and its Audiences. Armonk: M.E. Sharpe, 150-65.
Haddon, Rosemary. "From Pulp to Politics: Aspects of Topicality in Fiction by Li Ang " Modern Chinese Literature and Culture 13, 1 (Spring 2001): 36-72.
He, Chunrui. “’Incense Burner’ Also Has the Right of Political Participation: Sex and Politics are Inseparable of Course,” 19 May 2003.
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Li, Ang. "Dark Li Ang versus Bright Li Ang: A Self-Interview." Chinese Literature Today, 2(1), 14.
Liao, Chaoyang. "History, Exchange, and the Object Voice: Reading Li Ang's Recent Fiction." On-line works of Liao Chaoyang.
——— "History, Exchange, and the Object Voice: Reading Li Ang’s The Strange Garden and All Sticks Are Welcome in the Censer of Beigang." in David Der-wei Wang and Carlos Rojas eds., Writing Taiwan: A New Literary History. Durham, NC: Duke UP, 2006, 348-69.
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———"Postmodern Literary Discourse and Contemporary Public Culture in Taiwan."
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Liou, Liang-Ya. "At the Intersection of the Global and the Local: Representations of Male Homosexuality in Fictions by Pai Hsien-yung, Li Ang, Chu Tien-wen and Chi Ta-wei." Postcolonial Studies 6.2 (2003): 191-206. Informaworld. Web. 11 June 2010.
———Ch’ing-se Shi-chi-mo. Gender, Sexuality, and the Fin de Siecle: Studies in Erotic Fictions. Taipei: Chiuko. 2001.
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——— “Gender Crossing and Decadence in Taiwanese Fictions at the ‘fin
de siecle’: The Instances of Li Ang, Chu Tien-wen, Chiu Miao-jin, and ChengYing-shu.” Chung-wai Literary Monthly (November 1999): 109-31.
Liu, Joyce C.H. "From Loo Port to Taipei: The World of Women in Lee Ang's Works." Fu Jen Studies: Literature & Linguistics 19 (1986): 65-88.
Liu, Kai-ling. To Whom Is the Letter Sent?— A Subversive Chinese Love Letter. Diss. National Cheng King University (R.O.C.). Print.
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Lu Zhenghui, “Gender Relations and the Reality of Taiwan Entrepreneurs in The Labyrinthine Garden,” Novel and Society (Taipei: Lianjing, 1988).
———“Sex and Modern Society: The Theme of Sex in Li Ang’s Novels.” Novel and Society. (Taipei, Lianjing, 1998), 164.
———“The Mainstream of the Taiwanese Fiction in the Eighties.” (The Sidetrack of the fin-de-siecle: on Literature in Taiwan in the 1980s). Ed. Meng Fan & Lin Yaode. Taipei: Shibao wenhua, 1990. 269-95.
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——— "From Sexual Protest to Feminist Social Criticism: Li Ang's Works 1967-1987." in Wong Yoon Wah, ed., Chinese Literature in Southeast Asia. Singapore: Goethe-Institut, 1989, 127-51.
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——— "Li Ang's Experiments with the Epistolary Form." Modern Chinese Literature 3, 1/2 (1987): 91-106.
———“Of Sound and Fury: Li Ang.” In Biographical Dictionary of Chinese Women: Twentieth Century Volume, ed. by Lily Xiao-hong Lee. 295-297. Armonk, N.Y.: M E Sharpe, 2003.
——— "The Labyrinth of Meaning: A Reading of Li Ang's Fiction." Tamkang Review 18, 1-4 (1987-88): 97-123.
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———Noises of Women of (Not) Same Nation: Interviews of Contemporary Female Writers in Taiwan, (Taipei: Yuanzun Culture, 1998), 112-113.
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——— Video commentary about Li Ang by Professor Wang. The film was produced by Prof. Kuei-fen Chiu from the Graduate Institute of Taiwan Literature, National Chung Hsing University in 2017. [English version; Chinese version]
———"Fin-de-siècle Splendor: Contemporary Women Writers' Vision of
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——— “Sex, Scandal, and Aesthetic Politics: On Li Ang’s Sex Fiction,” Beigang Incense Burner: The Devil with a Chastity Belt Series, (Beigang xianglu ren ren cha: dai zhencaodai de mogui xilie) In the series of Contemporary Novelists, ed, David Der-wei Wang (Taipei: Rye Publishing, 1997), 9.
———“Transfer of Love? Narcissism? On Li Ang’s An Unsent Love Letter”.
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———"Taipei People / Taipei jen." World Literature Today 75.1 (2001): 102-03.
——— "A Place of One's Own: Stories of Self in China, Taiwan, Hong Kong, and
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——— “Li Ang’s Gendered Dissent in ‘The Devil in a Chastity Belt.’” Frontiers of Literary Studies in China 8.2 (June 2014): 253-276.
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