Modern Architecture - Europe

"Riflessioni su Peter Behrens: Interviste con Ludwig Mies van der Rohe [Chicago, 1961] e Walter Gropius [Cambridge, MA, 1964]," in Silvia Malcovati and Alessandra Moro, ed., Peter Behrens: Maestro di maestri (Milan: Libraccio, 2012), 101-108.

"1929 Peter Behrens: Platz der Republik," pp. 62-64 in Carsten Krohn, ed., Das ungebaute Berlin: Stadtkonzepte im 20. Jahrhundert/Unbuilt Urban Designs for Berlin. Berlin: DOM, 2010. [In German and English editions]

“Diseño industrial, una estrategia para la union de lat tecnologia el arte,” RA: Revista de Arquitectura 12 [Madrid] (June 2010), 7-16.

"Considering Peter Behrens: Interviews with Ludwig Mies van der Rohe (Chicago, 1961) and Walter Gropius (Cambridge, MA, 1964)," in Alessandra Moro, ed., Peter Behrens: Maestro di maestri. Venice: Università IUAV di Venezia, engramma 81 (June 2010), online.

"Camillo Sitte: Orders in Reception," pp. 98-107 in Charles C. Bohl and Jean-François Lejeune, eds., Sitte, Hegemann and the Metropolis. New York: Routledge, 2009.

"Thinking in Architecture," closing plenary lecture, 3rd International Alvar Aalto Meeting on Modern Architecture: Building, Designing, Thinking, pp. 72-86 in Esa Laaksonen, ed., Ptah 08 Yearbook. Helsinki: Alvar Aalto Academy, 2009.

"Ficción de la Función," [a Spanish translation by Juan Manuel Heredia of "Fiction of Function" (1987)], Bitácora-Arquitectura (Mexico City), 18 (June 2008), 6-15.

"Quasi-autonomy in Architecture: Louis I. Kahn and Luigi Cosenza," pp. 220-231 in Giancarlo Cosenza, ed., Luigi Cosenza: The Olivetti Factory in Pozzuoli. (Naples, Italy: CLEAN Edizioni, 2006). [In English and Italian]

"Camillo Sitte: Methoden der Rezeption," pp. 110-128 in Klaus Semsroth, Kari Jormakka, and Bernhard Langer, eds., Kunst des Städtebaus: Neue Perspektiven auf Camillo Sitte. Vienna: Böhlau Verlag, 2005.

"The Vernacular, Memory, and Modernism," pp. 157-171 in Maiken Umbach and Bernd Hüppauf, eds., Vernacular Modernism: Heimat, Globalization and the Built Environment. Palo Alto, CA: Stanford University Press, 2005.

"Aalto e a 'Acomodação Metódica às Circunstâncias'," and "Aalto and 'Methodical Accommodation to Circumstance',"pp. 142-149, 192, in Timo Tuomi et al., eds., Alvar Aalto em sete edifícios/Alvar Aalto in Seven Buildings. Helsinki: Museum of Finnish Architecture, 1999. [Portuguese/English edition of the catalog of the exhibition at the centenary of the birth of Alvar Aalto]

"The 'New Empiricism-Bay Region-Axis': Kay Fisker and Postwar Debates on Functionalism, Regionalism, and Monumentality," Journal of Architectural Education, L, 3 (Feb. 1997), 203-213.

"Matthew Brettingham the Younger and Foots Cray Place: The Secularization of Palladio's Villa Rotonda in England," Journal of the Society of Architectural Historians, LIII, 4 (December 1994), 428-447.

"The Legacy of German Neo-Classicism and Biedermeier: Behrens, Tessenow, Loos, and Mies," (originally a lecture, 5 March 1986, associated with the Mies van der Rohe exhibition at the Museum of Modern Art, New York City), Assemblage 15, (October 1991), 62-87.

"Peter Behrens's Highest Kultursymbol, the Theater," Perspecta 26 (1990), 103-134. Reprinted in Robert A.M. Stern, Alan Plattus, and Peggy Deamer, eds. [Re]Reading Perspecta: The First Fifty Years of the Yale Architectural Journal. Cambridge, MA: MIT Press, 2004, 643-660.

"Introduction" to Peter Behrens,” On Art for the Stage," Perspecta 26 (1990), 135-136.

"The Fiction of Function," Assemblage 2 (February 1987), 18-31

"Modern Architecture and Industry: Peter Behrens and the AEG Factories," Oppositions 23 (Winter 1981), 52-83.

"Modern Architecture and Industry: Peter Behrens, the AEG, and Industrial Design," Oppositions 21 (Summer 1980), 78-97. Also as “Diseño industrial, una estrategia para la union de lat tecnologia el arte,” RA: Revista de Arquitectura 12 [Madrid] (June 2010), 7-16.

"Modern Architecture and Industry: Peter Behrens and the Cultural Policy of Historical Determinism," Oppositions 11 (Winter 1977), 52-71.